303 Digital Filmmaking Solutions: Solve Any Video Shoot or Edit Problem in 10 Minutes or Less
With the advent of digital video cameras, anyone can shoot and produce a video for very little money — in fact, hundreds of thousands of people are doing so. When video photographers look for guidance, they don't want to read a big book cover to cover — they want help on their particular problem immediately.\ This compendium of solutions is designed to allow anyone to dig into each problem category and quickly find the necessary guidance. Each solution is 2-5 pages in length, most with at...
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MORE THAN 300 INSTANT SOLUTIONS!Here’s where to turn when your digital filmmaking question needs an answer NOW!Want to make digital videos that rival the pros? Have a problem or question that requires an instant fix? This relentlessly practical film-school in a nutshell helps you solve nearly every imaginable issue in digital filmmaking quickly, clearly, and without great expense. Inside, author Chuck Gloman, independent producer, director, and videographer shares the secrets he’s learned in 23 years as a professional filmmaker.THE QUICK-LOOKUP WAY TO PROFESSIONAL VIDEO:Designed to give you answers right away to any kind of question—from what kind of lens to use to how to deal with extraneous noise on the set or talentless actors, 303 Digital Filmmaking Solutions gives you a creative answer in a few paragraphs. Organized into more than 300 concise solutions within each stage of production, this book helps you solve shooting, editing, directing, and producing problems from pre- to post-production. It’s quicker than film school— and a lot less expensive!303 Digital Filmmaking Solutions has sections on:* Scripting* Scouting Locations* Permissions* Casting* Cameras* Audio* Lenses* Filters* Models* Affordable Makeup* Affordable Costumes* Shooting on Location * Sex and Nudity* Choreographing Action Sequences* Explosions* Special Effects* Squibs* Horror* Romance* Editing* Permissions* Transport* Permits* Bystanders* Noise* Building Sets* Lighting * Gelling* Electrical* Vehicles in Motion* Aircraft* Underwater* Animals* Hiding Microphones* Maintaining Sync* Dubbing* Mixing* Low-Cost Graphics* Low-Cost Animation* Nonlinear Sound* Editing Shortcuts* Stock Footage* Stock Music* Rental Houses* Copy Guarding* Cheap Dupes* Labeling* Much More!Chuck Gloman has been an independent producer, videographer, director, and editor with experience in all areas of video—from commercial production (800 to date) to corporate training (450 to date). A resident of York, Pennsylvania, he is a regular contributor to Videography, Mix, Television Broadcast, and Government Video.
Chapter 1: Preproduction ProblemsChapter 2: Production Hardware SolutionsChapter 3: Production Software SolutionsChapter 4: Working with ExtrasChapter 5: Using Consumer Digital CamerasChapter 6: Location ShootingChapter 7: How to Shoot Sunrises and SunsetsChapter 8: How to Shoot in a StudioChapter 9: Specialized Production Challenges: The Creation ProcessChapter 10: Specialized Shooting Challenges: Shooting Moving ObjectsChapter 11: Specialized Shooting Challenges: Shooting LocationsChapter 12: Specialized Shooting Challenges: Shooting ThingsChapter 13: Specialized Shooting Challenges: Shooting PeopleChapter 14: Specialized Shooting Challenges: Shooting AnimalsChapter 15: Specialized Shooting Challenges: Shooting FoodChapter 16: Location and Studio LightingChapter 17: How to Light for Video ConferencingChapter 18: Specialized Lighting Challenges: Lighting FoodChapter 19: Specialized Lighting Challenges: Lighting ObjectsChapter 20: Specialized Lighting Challenges: Lighting PlacesChapter 21: Specialized Lighting Challenges: Lighting PeopleChapter 22: Lighting and Shooting Motorcycles and PeopleChapter 23: TV CommercialsChapter 24: Human ChallengesChapter 25: Special Effects: Stage Blood, Squibs, and MakeupChapter 26: Action VideosChapter 27: Horror VideosChapter 28: Comedic VideosChapter 29: Period VideosChapter 30: Romance VideosChapter 31: Lingerie, Nudity, and SexChapter 32: Audio ChallengesChapter 33: Choosing the Best MicrophoneChapter 34: Postproduction ChallengesChapter 35: Character-Generated GraphicsChapter 36: Business ObstaclesChapter 37: Comparisons
