Amexica: War Along the Borderline
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Amexica is the harrowing story of the extraordinary terror unfolding along the U.S.-Mexico border—“a country in its own right, which belongs to both the United States and Mexico, yet neither”—as the narco-war escalates to a fever pitch there.In 2009, after reporting from the border for many years, Ed Vulliamy traveled the frontier from the Pacific coast to the Gulf of Mexico, from Tijuana to Matamoros, a journey through a kaleidoscopic landscape of corruption and all-out civil war, but also of beauty and joy and resilience. He describes in revelatory detail how the narco gangs work; the smuggling of people, weapons, and drugs back and forth across the border; middle-class flight from Mexico and an American celebrity culture that is feeding the violence; the interrelated economies of drugs and the maquiladora factories; the ruthless, systematic murder of young women in Ciudad Juarez. Heroes, villains, and victims—the brave and rogue police, priests, women, and journalists fighting the violence; the gangs and their freelance killers; the dead and the devastated—all come to life in this singular book.Amexica takes us far beyond today’s headlines. It is a street-level portrait, by turns horrific and sublime, of a place and people in a time of war as much as of the war itself. Publishers Weekly This engrossing travelogue traces the fraught Mexican-American border, where the collision of affluence and poverty is mediated by an ultraviolent narco-traficante culture. Vulliamy (Seasons in Hell) journeys from Tijuana, where the ruthless Arellano Félix Organization cartel battles rivals, to the Atlantic coast, where the even more ruthless Zetas cartel, armed with grenades and rocket launchers, battles the Mexican army and besieges whole cities. In the middle is Juárez, the world’s most violent town, an anarchy of contending cartels, street gangs, and their police and military allies, where massacres, beheadings, and grisly sex murders are routine. Vulliamy’s border isn’t all drugs and killings; it’s also narco-corrida songs that celebrate drugs and killings, the American gun industry that feeds off drug money and enables the killings, and a presiding quasi-Catholic cult of Santíssima Muerte (holiest death). The author’s take isn’t entirely coherent. Sometimes the border is the problem, an artificial rupture that provokes turf battles over prime smuggling sites; sometimes, presented less persuasively, the lawless border is just a symptom of global capitalism, like the desperate illegal immigrants and exploited maquiladora workers (in foreign-owned low-wage factories along the border) he profiles. Although not especially deep, Vulliamy’s is a vivid, disturbing dispatch from a very wild frontier. (Oct.)
Introduction: America 31 La Plaza 192 Aqui Empieza la Patria (Here Begins the Homeland) 423 El Camino Del Diablo (The Devil's Highway) 65Intermission: The Business End of A 12-Gauge---Barrett and Morgan's war 1044 Urban Frankenstein 1145 The Human Junkyard 1566 The Wind of Knives 175Intermission: The Road It Gives, and the Road it Tales Away 1967 "Eat off the Floor" 2138 Gatway to the Americas/Pax Mafiosa 2369 Iron River/Tell Them who you are 266Epilogue: El Sol Negro (The Black Sun) 321Notes 325Bibliographical Note 335Acknowledgments 339Index 343
