Big Man: Real Life and Tall Tales
For the first time ever comes the inside story of Clarence "Big Man" Clemons—his life before, during and beyond the E-Street Band, including unbelievable, never-before-told adventures with Bruce Springsteen, the band, and an incredible cast of other famous characters recounted by himself and his best friend, television writer/ producer Don Reo.\ \ Here are just a few things you'll get from reading it:\ \ \ \ \ The truth behind the final hours of making Born To Run\ \ The real story of how the...
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For the first time ever comes the inside story of Clarence "Big Man" Clemons—his life before, during and beyond the E-Street Band, including unbelievable, never-before-told adventures with Bruce Springsteen, the band, and an incredible cast of other famous characters recounted by himself and his best friend, television writer/ producer Don Reo.Here are just a few things you'll get from reading it: The truth behind the final hours of making Born To RunThe real story of how the E-Street Band got its name What happened when Clarence and Ringo Starr were sitting in a hotel room and Clarence got the call that Bruce was breaking up the band How Bruce and Clarence met that dark, stormy night at the Student Prince The E-Street band's show at Sing-Sing prison where all of their equipment blows out right as they take the stage The secret that Robert De Niro told Clarence and Bruce they had to keep for 25 yearsBut that's merely a glimpse. This is not your average rock book. It is something creative, something unique, something new. It is the story of E-Street. It is the story of stories. It is the story of the Big Man. Kirkus Reviews Bruce Springsteen's ebullient saxophonist and onstage foil recounts nearly four decades of the rock 'n' roll life, assisted by best friend Reo, a TV writer and producer. This account, the first by a member of the E Street Band, is "not a standard memoir," the authors warn. Half the chapters can be taken literally, but the rest, labeled "Legends," feature imagined conversations, altered times and places and more-just what a musician might offer up in the long hours on the road, fueled by Jack Daniels and other mind-altering substances, many of which Clemons cops to consuming over the years. Among the luminaries in these droll, quasi-fictional encounters are Thomas Pynchon, Frank Sinatra, Norman Mailer, Redd Foxx, Fidel Castro, Robert DeNiro, Bob Dylan and Groucho Marx. Clemons demonstrates that he might be every bit the raconteur that the Boss is in concert. For example, he describes how, in 1972 gig at Sing Sing Prison, the band escaped with their lives after their musical equipment blew out by jamming for an hour with just sax and drums. Fans will find especially fascinating the Big Man's account of the marathon Born to Run (1975) recording, the early road groupies and at least some of his five wives, the ornate touring sanctuary known as the "Temple of Soul" and the E Street Band's late organist, Danny Federici, who was given to such hijinks as running down hotel corridors naked. Any resentment lingering from Springsteen's 1989 decision to break up the band-a decision happily rescinded several years later-has dissipated, leaving only gratitude to a friend responsible for the best years of the author's life. Clemons imparts a warm, Indian summer feeling that deftly accompanies hisrollicking reminiscences, making this a must for the legion of fans that he and the Boss have accumulated over the decades. Agent: Lydia Wills/Paradigm
\ From Barnes & NobleClarence Clemons commands attention. The E-Street Band saxophonist is big, so big that he looks like a building walking around, but he also conveys something truly mythic. That mythos has played out freely in Bruce Springsteen songs and stories that seem to spread and change like the wind. In this autobiography, "Big Man" himself expounds on how it all happened and what it all means. Now in paperback. (Hand-selling tip: Big Man is the real deal. It tells the real stories behind the E-Street band's early years and subsequent worldwide fame. And it features a foreword by Bruce Springsteen himself!)\ \ \ \ \ \ Kirkus ReviewsBruce Springsteen's ebullient saxophonist and onstage foil recounts nearly four decades of the rock 'n' roll life, assisted by best friend Reo, a TV writer and producer. This account, the first by a member of the E Street Band, is "not a standard memoir," the authors warn. Half the chapters can be taken literally, but the rest, labeled "Legends," feature imagined conversations, altered times and places and more-just what a musician might offer up in the long hours on the road, fueled by Jack Daniels and other mind-altering substances, many of which Clemons cops to consuming over the years. Among the luminaries in these droll, quasi-fictional encounters are Thomas Pynchon, Frank Sinatra, Norman Mailer, Redd Foxx, Fidel Castro, Robert DeNiro, Bob Dylan and Groucho Marx. Clemons demonstrates that he might be every bit the raconteur that the Boss is in concert. For example, he describes how, in 1972 gig at Sing Sing Prison, the band escaped with their lives after their musical equipment blew out by jamming for an hour with just sax and drums. Fans will find especially fascinating the Big Man's account of the marathon Born to Run (1975) recording, the early road groupies and at least some of his five wives, the ornate touring sanctuary known as the "Temple of Soul" and the E Street Band's late organist, Danny Federici, who was given to such hijinks as running down hotel corridors naked. Any resentment lingering from Springsteen's 1989 decision to break up the band-a decision happily rescinded several years later-has dissipated, leaving only gratitude to a friend responsible for the best years of the author's life. Clemons imparts a warm, Indian summer feeling that deftly accompanies hisrollicking reminiscences, making this a must for the legion of fans that he and the Boss have accumulated over the decades. Agent: Lydia Wills/Paradigm\ \
