City of Dreams: A Novel of Nieuw Amsterdam and Early Manhattan

Chapter One\ Eleven weeks in a ship thirty-seven feet long by eleven wide, carrying a crew of nine as well as twenty passengers. Lurching and lunging and tossing on the Atlantic swells, the sails creaking night and day, spread above them like some evil bird of prey. Hovering, waiting for death.\ The dung buckets on the open deck were screened only by a scanty calico curtain that blew aside more often than it stayed in place. For Sally Turner the dung buckets were the worst.\ She was twenty-three years old — small, with dark hair, bright brown eyes, and a narrow, pinched face — from a Rotterdam slum by way of a rodent-infested corner of a Kentish barn. The crossing had turned her insides to water. She went seven or eight times a day to the dung buckets. The flimsy cloth almost always blew aside and she saw the grizzled, hungry-eyed crewmen watching, waiting for her to lift her skirts. As if all the battles between Kent and now had been for nothing.\ Her brother suffered more from the seasickness. Lucas Turner was a big man, like his sister only in his dark coloring, and in the intelligence that showed behind his eyes. Until now most would have called him handsome; the journey had reduced him to a shell. From the start Lucas hung day and night over the side of the wooden ship, vomiting his guts into the sea.\ The voyage was beyond imagination, beyond bearing. Except that there was no choice but to bear it. One small consolation: the April day when the Princess left Rotterdam was exceptionally warm. A premature summer rushed toward them as they sailed west. Most of the food spoiled before the end of the first three weeks. Constant illness prevented hunger.\ A crossing longer and more miserable and more dangerous than anything they had talked about or prepared for, and when they got there — what? By all reports bitter cold in winter and fierce heat in summer. "And savages," Sally Turner said the first morning of June, when they were nine weeks into the voyage, and she and her brother were hanging on to the rail in the ship's bow. The swells were stronger in that position, but Lucas was convinced he could be no worse. And there was a bit of privacy. "There are red men in America, Lucas. With painted faces and feathers and hatchets. In God's name, what have we done?"\ Lucas didn't answer. They had decided the risk was worth the taking while they were still in Holland. Besides, he had to lean over the rail and puke yet again. There was nothing in his stomach to come up, even the bile was gone, but the dry heaves would not leave him.\ For as long as Sally could remember, it was Lucas who made such security as there was in her world. She felt every shudder of his agony-racked frame as if it were her own. She slid down, using the wooden ship's planked bulkhead to keep her steady, and pawed through her basket. Eventually she drew herself up and pulled the tiny cork of a small pewter vial. "Chamomile powder, Lucas. Let me shake some onto your tongue."\ "No, that's all you've left. I won't take it."\ "I've more. With our things down below."\ "You're lying, Sal. I can always — " He had to stop to heave again.\ His sister leaned toward him with the remedy that promised relief. Lucas eyed the small tube with longing. "You're sure you've more?"\ "In our box in the hold. I swear it."\ Lucas opened his mouth. Sally emptied the last few grains of the chamomile powder onto his tongue. It gave him some fifteen minutes of freedom from nausea.\ Below decks, in the sturdy box that held all their belongings carefully wrapped in oilskin, she did indeed have more chamomile, but only in the form of seed. Waiting, like Lucas and Sally Turner, to be planted in Nieuw Amsterdam and thrive in the virgin earth of the island of Manhattan.\ *\ There was a wooden wharf of sorts, but two ships were already moored alongside it. The Princess dropped anchor some fifty yards away, and a raft carried them to shore. It wasn't big enough to take everyone in one trip. Lucas and Sally were dispatched on the third.\ They clung together to keep from being pitched overboard, and listened in disbelief to one of the crewmen talk about the calm of the deep, still harbor. "Not too many places on this coast you can raft folks to land like this. But here the bay's flat as a lake when the tide's with you." Meanwhile it seemed to Lucas and Sally that they were sliding and rolling with each wave, unable to lift their heads and see what they'd come to after their eleven weeks in hell.\ At last, land beneath their feet and they could barely stand on it. They'd experienced the same misery three years before, after the far shorter crossing between England and the Netherlands. "Give it a little time, Sal," her brother said. "We'll be fine."\ Sally looked at what she could see of the place. A piece of crumbling earthworks that was a corner of Fort Amsterdam. A windmill that wasn't turning because there was no breath of air. A gibbet from which was suspended a corpse, covered in pitch and buzzing with flies. And the sun beating down on them. Relentless. "Lucas," she whispered. "Dear God, Lucas." Her brother put a hand on her arm.\ "You there," a voice shouted. "Mijnheer Turner. When you get your legs under you, come over here."\ "There's some shade over by that tree," Lucas murmured. "Wait there. I'll deal with this."\ A couple of rough planks had been spread across two trestles made from saplings. The man seated behind this makeshift table was checking off names on a list. Lucas staggered toward him. The clerk didn't look up. "Turner?"\ "Aye. Lucas Turner. And Sally Turner."\ "English?"\ His accent always gave him away. "Yes, but we're come under the auspices of..."\ "Patroon Van Renselaar. I know. You're assigned to plot number twenty-nine. It's due north of here. Follow the Brede Wegh behind the fort to Wall Street. Take you some ten minutes to walk the length of the town, then you leave by the second gate in the wall. The path begins straightaway on the other side. You'll know your place when you get to it. There are three pine trees one right behind the other, all marked with whiting."\ Lucas bent forward, trying to see the papers in front of the Dutchman. "Is that a map of our land?"\ "It's a map of all the Van Renselaar land. Your piece is included."\ Lucas stretched out his hand. The clerk snatched the papers away. At last, mildly surprised, he looked up. "Can you read, Englishman?"\ "Yes. And I'd like to see your map. Only for a moment."\ The man looked doubtful. "Why? What will it tell you?"\ Lucas was conscious of his clothes hanging loose from his wasted frame, and his face almost covered by weeks of unkempt beard. "For one thing, a look at your map might give me some idea of the distance we must go before we reach those three pine trees."\ "No need for that. I'll tell you. Half a day's walk once you're recovered from the journey." The clerk glanced toward Sally. "Could take a bit longer for a woman. Some of the hills are fairly steep."\ This time when Lucas leaned forward the map wasn't snatched away. He saw one firm line that appeared to divide the town from the countryside, doubtless the wall the clerk had spoken of, and just beyond it what appeared to be a small settlement of sorts. "Our land" — Lucas pointed to the settlement beyond the wall — "is it in that part there?"\ "No, that's the Voorstadt, the out-city, a warehouse and the farms that serve the town." The clerk seemed amused by the newcomer's curiosity. He placed a stubby finger on an irregular circle a fair distance beyond the Voorstadt. "And that's the Collect Pond as gives us fresh water to brew beer with. Anything else you'd care to know, Englishman? Shall I arrange a tour?"\ "I was promised land in the town," Lucas said. "But I'll take a place in this Voorstadt. I'm a barber. I can't earn my keep if — "\ "Your land's where I said it was. You're a farmer now. That's what's needed here."\ "Wait." The voice, a woman's, was imperious. "I wish to speak with this man." A slight figure stepped away from the knot of people standing a little distance from the clerk. Despite the heat she was entirely covered by a hooded cloak of the tightly woven gray stuff the Dutch called duffel. She freed a slender arm long enough to point to Lucas. "Send him to me."\ "Ja, mevrouw, of course." The clerk jerked his head in the woman's direction. "Do as she says," he muttered quietly in the Englishman's direction. "Whatever she says."\ Lucas took a step toward the woman. He removed his black, broad-brimmed hat and held it in front of him, bobbed his head, and waited.\ Her hair was dark, shot with gray and drawn back in a strict bun. Her features were sharp, and when she spoke her lips barely moved, as if afraid they might forget themselves and smile. "I heard you tell the clerk you could read. And that you're a barber."\ "Both are true, mevrouw."\ "Were you then the surgeon on that excuse for a ship?" She nodded toward the Princess riding at anchor in the harbor. "God help all who cross in her."\ "No, mevrouw, I was not."\ "A point in your favor. We are cursed with so-called ship's surgeons in this colony. Ignorant butchers, all of them. You're English, but you speak Dutch. And that miserable craft sailed from Rotterdam, not London. So are you a member of the English Barbers' Company?"\ "I am, mevrouw. But I've lived two years in Rotterdam, and I was told I'd be allowed to practice here exactly as..."\ "I have no reason to think otherwise. And if you know your trade — " She broke off, chewing on her thin lower lip, studying him. Lucas waited. A number of silent seconds went by; then the woman pointed toward Sally. "I take it that's your wife."\ "No, mevrouw, I am unmarried. That is my sister, Sally Turner." Lucas motioned Sally forward. She didn't come, but she dropped a quick curtsy.\ The woman's eyes betrayed a flicker of amusement. "The juffrouw does not seem particularly obedient, Lucas Turner. Is your sister devoted to you?"\ "I believe she is, mevrouw."\ "Good. I, too, have a brother to whom I am utterly devoted. I am Anna Stuyvesant. My brother is Peter Stuyvesant. He is governor of Nieuw Netherlands. And right now..."\ Sweet Jesus Christ. Bloody Stuyvesant and his bloody sister. When the only thing Lucas wanted, the thing that had made him come to this godforsaken colony at the end of the world, was to be where the authorities would leave him in peace.\ Either his reaction didn't show, or she chose not to notice it. "Right now my brother is in need of a man of great skill. And I am trying to decide, Lucas Turner, if you might be he."\ He had no choice but to seize the moment. "That depends on the nature of the skill your brother requires, mevrouw. I know my trade, if that's what you're asking."\ "It is part of the question. The other part is the precise nature of your trade. Is it true that, though they belong to the same Company, London barbers and surgeons do not practice the same art?"\ Lucas heard Sally's sharply indrawn breath. "Officially yes, mevrouw. But the two apprenticeships occur side by side, in the same hall. A man interested in both skills cannot help but learn both. I am skilled in surgery as well as barbering. What is it the governor requires?"\ The woman's eyes flicked toward Sally for a moment, as if she, too, had noted the gasp. A second only; then she dismissed the younger woman as of no importance. "I believe my brother to be in desperate need of a stone cutter, barber."\ Lucas smiled.\ Finally, for the first time in weeks, he felt no doubt. "Pray God you are correct, mevrouw. If it's an expert stone cutter your brother needs, he is a fortunate man. He has found one." Lucas turned to Sally. She was white-faced. He pretended not to notice. "Come, Sal. Bring my instruments. I've a patient waiting for relief."\ *\ Word was that Peter Stuyvesant ruled with absolute authority and that any who questioned him paid a heavy price. Right then, ashen, sweating with pain, the man lying in the bed looked small and insignificant.\ Lucas put his hand on Stuyvesant's forehead. The flesh was cold and clammy. "Where does it hurt, mijnheer?"\ "In my belly, man. Low down. Fierce pain. And I cannot piss for the burning. My sister is convinced it's a stone."\ Anna Stuyvesant was in the room with them, huddling in the gloom beside the door. Some mention had been made of a wife, and when they arrived Lucas had heard the voices of children, but none had appeared. He'd seen only a black serving woman — from what he'd heard of this place she was probably a slave — and the man in the bed. And, in control of all, the sister. Obviously married, or had been, since the clerk at the dock had called her mevrouw, but one who, following the Dutch fashion, hadn't taken her husband's name. Looked like the type who wouldn't take willingly to his cock, either. Lucas was conscious of her fierce glance drilling a hole in his back.\ He leaned closer to the patient, observing the clouded eyes, the pallor, the sour breath that came hard through a half-open mouth. "Judging from the look of you, mijnheer, Mevrouw Stuyvesant may be right. And if she is, if it's a stone, I can help you. But..." He hesitated. Afterward, some men thought of the relief, and were grateful. Others remembered only the agony of the surgery, and those hated you forever. God help him and Sally both if the governor of Nieuw Netherland hated him forever.\ "But what?" Stuyvesant demanded.\ "But it will hurt while I do it," Lucas said, choosing not to dip the truth in honey. "Worse than the pain you're feeling right now. After the operation is over, however, you will be cured."\ "If I live, you mean."\ "The chances are excellent that you will, mijnheer."\ "But not certain."\ "In this world, Mijnheer Governor, nothing is certain. As I'm sure you know. But I've done this surgery dozens of times."\ "And all your patients lived?" Wincing with pain while he spoke. Having to force the words between clenched teeth.\ "Perhaps six or seven did not, mijnheer. But they were men of weak constitution before the stone began plaguing them."\ Stuyvesant studied the Englishman, even managed a small smile. "I am not a man of weak constitution. And you, you're a strange one, barber. Despite your mangled Dutch, you speak like a man with his wits in place. But the way you look, not to mention how you smell...Ach, but then my sister tells me you only just got off the Princess, so per — "\ The pain must have been savage. The Dutchman gritted his teeth so hard Lucas thought he might break his jaw. The sweat poured off him.\ Lucas leaned forward and wiped the governor's face with a corner of the bedding. Half a minute, maybe less. The wave of agony abated. Stuyvesant drew a few deep breaths. "This operation..." He whispered the words, his strength sapped by the pain. "How long will it take?"\ "Forty-five seconds," Lucas said. "Start to finish. You can time me."\ The governor stared into Lucas's eyes. "I will. Forty-five seconds? You're certain of that?"\ "I am."\ Stuyvesant flung back the covers. "Took them forty-five minutes to do this." His right leg had been cut off at the knee.\ Lucas looked down at the stump, then at the face of the man in the bed. Pain had hollowed his cheeks, but when their eyes met Stuyvesant did not look away. Finally Lucas nodded. He turned to the woman beside the door. "Bring some rum, mevrouw. He must drink as much as we can get down him."\ Anna Stuyvesant stepped out of the shadows. "There is no rum in this house."\ "Then send someone to get some. Your brother cannot — "\ "Yes, I can." Stuyvesant's voice, sounding firmer than it had, trembling less with agony. "I must. I take no drink stronger than ordinary ale."\ "But under the circumstances..." Lucas looked again at the stump of leg.\ "Not then, either," Stuyvesant said quietly. "I fear the Lord more than I fear pain, barber."\ "As you wish. But perhaps I can satisfy both masters. If you will excuse me for a moment..."\ Lucas stepped into the narrow hall. Sally was there, sitting at the top of the stairs, clutching her basket and the small leather box that contained his instruments. She jumped up, pressing her bundles to her, her narrow face shriveled with anxiety. "How is he? Can you help him without cutting?"\ "No." Lucas was sweating. He wiped his forehead with the sleeve of his black jacket. The accumulated filth of the journey left a dark mark. "God help me, I must remove the stone."\ "But — "\ "There is no 'but.' If it doesn't come out, like as not he'll drown in his own piss."\ "What if he dies of the pain of surgery? What if he bleeds to death?" Her voice was an urgent whisper.\ "This man can bear suffering." Lucas looked anxiously toward the bedroom door. "He's had one leg cut off at the knee, and he doesn't take more than an ale to quench his thirst. No strong spirits, not even to dull the onslaught of the knife and the saw. As for bleeding to death, I must see that he does not. Say your prayers, girl, and give me my instruments."\ "Lucas, if anything happens, what — "\ "Nothing is going to happen. Except that mijnheer the governor will think I'm the greatest surgeon since Galen."\ "But you're a barber, Lucas. In heaven's name, your surgeon's instruments are what got us hounded out of London in the first place."\ "I know. But we're in Nieuw Amsterdam, not London. We must take our chance when it presents itself. See if you've any stanching powder in your basket."\ Sally hesitated.\ "Do it, Sal. Otherwise I'll go ahead without it."\ A few seconds more. Finally she began pawing through her things. "Yes, here it is." She held up a small pottery crock. "Stanching powder. A fair supply."\ "Excellent. Now some laudanum."\ Sally shook her head. "I have none. I swear it, Lucas. I only brought a little aboard, and we used — "\ "Damnation! Look well, Sal. If any's left, I can use it to advantage."\ After a few moments groping, she produced a tiny pewter vial of the kind she'd used to store the last of the chamomile powder. "This held laudanum. But it's empty."\ Lucas snatched the container, uncorked it, sniffed, squinted to peer inside. "A drop, perhaps. It will be better than nothing. Aye, I can see a drop or two at the bottom." He recorked the vial and slipped it into the side pocket of his breeches, then turned back to the bedroom. "Wish me luck, Sal. And stop up your ears. But don't worry, the shouts won't go on for long."\ *\ Sally went again to sit on the top step, clutching her basket in her lap, as if her simples were the only thing she had to remind her of who she was and how she came to be in this place.\ The house at the corner of the fort built for the governor of Nieuw Netherland was nothing like as grand as places she'd seen from afar in London and Rotterdam, but it was the grandest she'd ever been inside. Two stories, and both of them for the living of this one man and his family and his servants. Brick outside and polished wood within. Even the wooden steps were buffed to such a gloss that when she leaned forward she could see her reflection, her face peeking over the toes of her scuffed boots.\ Lucas had bought her the boots before they left Holland; he said clogs wouldn't do for such a long and perilous journey. The boots had pointed toes and laced to well above her ankles. She'd thought them incredibly grand at first, but less so now. And the sturdy Dutch folk in gilt frames looking down at her from the walls seemed unimpressed. God knew, they were not the first.\ Back in Kent, in the barn behind their father's Dover taproom, the eleven Turner brats had slept tumbled together in the straw because all the beds were rented for a penny a night to travelers. There Lucas had protected her from the despicable things that befell their sisters and brothers (often with their father's connivance). There Sally believed in Lucas's quest to be better than he'd been born to be. When he taught first himself to read, then taught her, she believed. When he wrangled a barbering apprenticeship to the Company of Barbers and Surgeons by showing a member of the gentry the sketch Sally had made of the men, bare arse in the air, rutting with a boy of six beside the stable (and never mind that the child was a Turner), Sally believed. When Lucas sent for her to come to London to join him, and two years later the wrath of the Surgeons drove them both into the street, his sister believed in the rightness of her brother's aspirations. Now, when they had come so far to this strange place, and he was yet again rushing headlong into conflict with authority; now, she was less sure.\ *\ Lucas returned to Stuyvesant's bedroom. His patient lay silent in his bed, rigid with pain. The governor's sister was leaning over him, bathing his face with a cloth dipped in scented water. Lucas leaned toward her. "Send word to the barracks that we'll need three strong men," he said softly. "Make sure they're young, with — "\ "No." Stuyvesant's word was a command. "I'll not be held down."\ "I didn't intend for you to overhear me, mijnheer. But I don't mean you to be held down, only held in position. It is through no lack of courage that a man twitches under the knife."\ "I will not twitch, barber."\ "Mijnheer — "\ "Get on with it, man. Else I'll have you hanged as a charlatan who offers hope when there is none."\ Lucas hesitated, looked at Anna Stuyvesant. She shook her head. Lucas took the pewter vial from his pocket. "Very well. Please open your mouth."\ "I told you, I don't take strong drink."\ "This isn't drink. It's a medicinal draught made by my sister." Stuyvesant still looked wary. "Consider the size of it, mijnheer." Lucas held the tiny pewter tube in front of the other man's eyes. "Could this hold enough rum or geneva to satisfy even an infant's thirst?"\ The governor hesitated a second longer, then opened his mouth. Lucas shook the single remaining drop of laudanum onto his tongue. The argument had been pointless; there wasn't enough of Sally's decoction to do any good. On the other hand, sometimes what a patient believed to be true was as good as the reality.\ "That will make things very much easier," Lucas said. He even managed to sound as if he meant it. "Now, mijnheer, in a moment we must get you out of your bed and over to that chest by the window where the light's best. I'll want you to lean on the chest, support yourself on your elbows. But first" — he turned to Anna Stuyvesant — "bring me a bucket, mevrouw. And some cloths. And a kettle of boiling water."\ She left. Lucas checked the contents of his surgeon's case. A dozen ties made of sheep's intestines. Three scalpels of different sizes, a couple of saws, a needle threaded with catgut, and, for stone cutting, a fluted probe and a pair of pincers with a jointed handle that could be opened to the width of four spread fingers.\ The sound of flies buzzing in the sun beyond the window was the only noise. The man in the bed gritted his teeth against the agony and said nothing, just kept looking at Lucas. Lucas looked back. Finally Anna Stuyvesant returned. "Hot water, you said, and clean cloths and a bucket. It's all here."\ "Thank you." Lucas stood up and removed his jacket. He began rolling up the sleeves of his shirt. "Now, mijnheer, may I assist you from the bed?"\ "Yes, but first...Anna, go. Leave us alone."\ "I do not like to go, Peter. If you should — "\ "This is nothing for a woman to see. Go." And after she had gone, "Very well, barber, let's get this over with. If you hand me my stick I can — " Stuyvesant broke off, gritted his teeth against another wave of the pain. "Do it," he whispered finally. "I don't care how much it hurts or for how long. For the love of God, man, do it now."\ "Forty-five seconds," Lucas promised again. "From the first cut. I swear it."\ He helped Stuyvesant hobble to the chest beside the window. The governor leaned forward, taking his weight on his elbows as Lucas directed. In fact Lucas would have preferred that his patient stand on the chest and squat, but a man with one leg couldn't be asked to assume such a position. Bent over like this was the next best thing. Lucas pushed up the governor's nightshirt, exposed the Dutchman's plump buttocks, then, a moment before he began, "There is one thing, Mijnheer Governor."\ "What one thing, barber?"\ "My fee."\ "Are you mad? I'll have you horsewhipped. Of course your fee will be paid. What do you take me for?"\ "A strict man but a fair one. I'm told your word is absolutely to be relied on."\ "It is. I take it you mean to ask for something other than money." The words came hard, with wheezing breath, limned by pain. "Ask then. Quickly."\ "A homestead closer to the town than the one my sister and I have been assigned. And a place inside the town to practice my trade."\ Stuyvesant turned his head, looked at Lucas over his shoulder. "There is no place inside the town. In Nieuw Amsterdam the one thing even I can't control is the roofs over people's heads. Fifteen hundred souls between the wharf and the wall, and all of them building where they...For the love of the Almighty, barber, this is an odd sort of conversation to be having with a man when your arse is in his face."\ "I do not need much space to practice my craft, mijnheer, a small room will do." Lucas still hadn't touched his instruments.\ "But I tell you...Very well. We'll find a corner for you. Now — "\ "And a different piece of land for my sister and myself. As I said, it need not be inside the town, only close to it. In the Voorstadt, perhaps."\ Stuyvesant looked into Lucas's eyes for a second more. "Get on with it," he said finally. "You'll have what you ask. A barber shop this side of the wall and a homestead in the Voorstadt. But only if I live to issue the orders."\ "I expected you'd see that part of it, mijnheer." Lucas pushed his rolled sleeves further up his arm. "This is only the examining part of the surgery. The forty-five seconds doesn't start until I'm done."\ He inserted his finger deep into Stuyvesant's rectum. The governor grunted, but he didn't move. The soft wall of the intestine yielded to probing. Lucas could feel the bladder, and when he pressed a little harder, the stone. "Ah, a pebble of some size, Governor. No wonder it's causing such trouble." Stuyvesant's only answer was his labored breathing. "Now, mijnheer, the forty-five seconds begins. You may start counting."\ Lucas yanked the bucket into position below his patient's dangling genitals. He withdrew his finger from the governor's body and took up his scalpel. One quick cut between testes and rectum. Two inches long. Deft and swift, with his arm wrapped around the man's waist to hold him in position. Stuyvesant's body jerked once, but in a second he was again rigid, and he made no sound except for a soft groan.\ Blood was obliterating the cut. Lucas grabbed the pincers and inserted them into the wound. One quick snap and the handle opened wide, spreading the flesh apart. He could see the wall of the bladder. He chose another scalpel, smaller than the first, made another quick cut. Less than half an inch, but the sharp reek of urine told him he'd opened the right place. And through it all, Peter Stuyvesant neither moaned nor twitched.\ Piss gushed into the leather bucket. And a second later, clearly, a sound that could not be mistaken in the silence broken only by his patient's wheezing breath, the ping made by the stone as it fell. Thanks be to God, he wouldn't have to probe for it.\ Lucas had three ligatures ready, thin strands of sheep's intestine. He tied off the blood vessels and mopped the wound with the cloths Anna Stuyvesant had given him. A slow but steady flow of blood was oozing from some vessel he'd cut but couldn't see. There was nothing for it but to lengthen the original opening and tie off the vessel. A lesson he'd learned from bitter experience. Fail to do that and no matter how tightly and neatly you sewed together the flesh, the patient died.\ Thirty-five seconds were gone. If he was to live up to his boast he must begin to stitch, but he dared not.\ He reached for the smaller scalpel, made the wound half an inch longer at each end. There, the source of the blood was near the top of the cut, close to the kidneys. Lucas grabbed the vessel with his probe, pulled it forward, and tied it off. Forty-two seconds. And not a sound or a movement from the man who was bent over the chest. If anything, the silence was deeper than it had been.\ Sweet Jesus Christ, maybe Stuyvesant had stopped breathing. "Mijnheer Governor," Lucas whispered, "can you hear me?"\ "Ja." The voice was weak.\ Lucas felt a moment of triumph. He and Sally — finally, fate was smiling on them. "Just checking on you, mijnheer, almost finished." He sponged the wound with hot water, sprinkled on some of Sally's stanching powder. Finally he released the spring on the handles of the pincers, removed the instrument and tossed it aside, then grabbed the needle threaded with a thin strip of sheep's intestines and began to stitch.\ "Done," he said a few seconds later. "It's over, Governor. The stone is out. Such pain as you'll have for the next few days is from the wound, and when it heals you'll be cured. Meanwhile you must have a bran and salt enema every day. There is to be no straining at stool."\ Lucas helped his patient back to bed while he spoke, supporting the other man with an arm around his waist. "I'll call your sister, shall I," he said when the governor was back in bed and the covers were drawn up over him. "Perhaps you'll sip some ale to restore your — "\ "Fifty-two seconds," Stuyvesant said. "I counted." There was a thin line of blood along the margin of his lower lip. And tooth marks. He'd bitten through his own flesh rather than cry out. "It took you fifty-two seconds, barber, not forty-five."\ Lucas nodded. "You had a high bleeder. I had to make a second cut to find it. If I had not, Governor, though I sewed you well up, you would bleed inside your body and be dead before morning."\ For a moment he thought Stuyvesant might denounce him as not the stone expert he claimed to be. Instead, "Go down to the waterside. Tell Heini the clerk I said to let you sleep inside the fort tonight, in the storehouse. And that he should come see me in the morning. Tell him I mean to change your land appropriation."\ II\ It turned out the pitch-blackened corpse hanging near the dock was a kind of scarecrow, a warning to potential wrongdoers, but there were plenty of tall trees in the colony and no lack of real hangings. Inside the fort there was a stockade open to all weather that served as the town jail, and two whipping posts.\ Nieuw Amsterdam was not, however, as desolate and forbidding as Lucas and Sally imagined at first sight. Apart from the crumbling earthworks of the fort — forever in need of repair — and the macabre display at the waterfront, there was much to please the eye.\ Thirty-five years had passed since Peter Minuit bargained with the local tribes for the island. Now the compact settlement occupied about a third of the narrow southern tip of Manhattan, running a scant half-mile from the fort to the wall and sheltered by the hilly, thickly wooded landscape of the rest. To be sure, Nieuw Amsterdam's streets were crooked and narrow, created by simply widening the footpaths of the red men, and it was not long since the settlers were living in pits roofed with reeds, but by 1661 proper houses had been erected. Stuyvesant and his council, the burgomasters and schepens, had outlawed thatched roofs because of the fire hazard they presented, and had begun importing enough glazed yellow bricks to allow the wealthier residents to duplicate the sturdy, cheerful dwellings of Holland.\ To Lucas's eye, even the simpler wooden houses built of local materials were unmistakably Dutch. Most were small two-story structures with steeply pitched roofs and dormered windows, nestled side by side and built gable end to the road so there might be more of them in a row. The Netherlanders had long considered it a sign of affluence to live in a populous city.\ Doubtless thoughts of home also inspired the tidal canal that had been dug from the beginning of the curve of the eastern shore northwest for some eight hundred of a tall man's strides. When it froze the locals used it for skating. Those who had neglected to bring their blades to the New World strapped beef shinbones to their shoes instead.\ The rest of the year the canal made it possible for cargo ships to offload directly into the warehouses of the richest merchants. They were the ones who built their substantial yellow brick residences along the canal's banks, and found space for a garden in front of each house. There were gardens as well in front of the brick homes on the street called Pearl that ran beside the waterfront (almost the first thing the Dutch did when they arrived was to pave the river road with shells from the nearby oyster beds) and still more gardens adjoining the prosperous dwellings lining both sides of the Brede Wegh.\ If Lucas put his back to the sea and stood on a high point such as the middle of the three bridges crossing the canal, his strongest impression was of a neat little town hugging the tip of the island, protected by the mountainous and wooded terrain to the north. It was "a brave and a pretty place," as the pamphlet encouraging immigration had put it. What the view from the bridge concealed was the rowdy and raucous life that made this town unlike any other in the New World.\ Boston and Providence and the rest had all been founded in pursuit of some high ideal of philosophy or religion, and were occupied by English folk of like mind. Nieuw Amsterdam was created by rich Dutchmen who wanted to become richer. Any who could further that aim were welcome. On a given day you might hear eighteen different languages at the intersection of the Brede Wegh and Wall Street.\ Lucas did not find here the huddled poor who were such a fixture in Dover and London and Rotterdam. There appeared to be money to be made in every lane and at every crossing. All you needed was an eye for a trade. And courage. And, of course, luck and a strong stomach.\ In New England a shared theology created order. In the seething mix of nationalities, beliefs, and nonbeliefs that the Dutch West India Company had created in Nieuw Amsterdam, not even an iron fist like Stuyvesant's could alter the fact that the making of a quick fortune was a disorderly and a boisterous affair. Once they had money, men — particularly the trappers and traders and sailors who crowded the town's narrow streets — craved pleasure. A good number of the upstanding Dutch burghers liked something on the side as well.\ Whores were tolerated as long as they kept themselves to Princes Street and did not mingle with the good Netherlander huisvrouwen. There were twenty-one taverns, taprooms, and alehouses in the little town. The mix pleased Lucas: fucking and boozing led to arguments and mayhem. A man of his skills was bound to be kept occupied.\ Stuyvesant had assigned him a tiny shop built against the easternmost end of the wooden palisade that gave Wall Street its name. Lucas's place was really a lean-to, no more than five long strides in each direction. There was no window, only a fireplace against the back wall, and across from it a door split horizontally in the Dutch fashion. "The wily bastard just barely managed to keep his promise," Lucas told Sally. "It's almost inside the town." Nonetheless, a steady stream of customers found him from the first day he banged the striped red-and-white pole into the summer-parched earth outside the door.\ A good many came to be bled, often for the aftermath of drink. Lucas was not entirely sure that opening a blood vessel in the temple of the sufferer, or even setting the leeches to him, really would relieve the nausea and the pounding headache, but it could do no harm.\ Large quantities of rum and geneva could also be counted on to result in broken bones that needed to be set. Lucas built a sturdy wooden frame to assist him in carefully aligning fractured arms and legs before forcing them back into position. The ship's surgeons who were his only competition in the colony — mostly men who stayed a short time, then got restless and went again to sea — set bones by brute force, using as many vicious yanks as the patient could endure. The pain was equally intense using Lucas's frame, but the results were far more satisfactory. He put the apparatus to use three or four times a week.\ Also thanks to drunkenness, he was twice asked to trepan a man's skull. Desperate huisvrouwen hoped that boring a couple of holes in a husband's head might rid him of his craving for alcohol. Lucas knew that was unlikely, but he had recently made himself a new drill and was interested in refining his trepanning techniques. Those two operations were among the most interesting he performed during his first few months in Nieuw Amsterdam. They occupied a page each in his journal.\ From the day he set up shop, Lucas made copious notes about every procedure, even ordinary barbering — delousing and shaving and bleeding and lancing boils — but he took special pains to write in detail about the more intricate surgeries, cutting away fistulas and tumors and removing stones. He did a great deal of the latter. Since the operation on Stuyvesant he'd become famous for it. Sufferers made the journey to his little room beside the wall from remote farms on the long island and Staten Island. Some arrived from as far north as Nieuw Haarlem. One came from a large holding, a bouwerie, in Yonkers.\ At first it was Lucas's speed that mattered. He knew it didn't hurt his reputation when he had whoever accompanied the patient stand on one side of the room and count the seconds between the initial cut and the last stitch. But in the autumn, after Sally's first crop of poppies bloomed, Lucas was best known for the fact that he could, with a few spoonfuls of one of his sister's decoctions, make the patient so groggy and fill his head with such soporific dreams that he felt considerably less pain.\ As in the case of the barber shop, Stuyvesant had almost kept his word about their land assignment. The Turner homestead was small, what the Dutch called a plantage rather than a bouwerie, and it was beyond the Voorstadt, nearly a mile from the town, not far from the Collect Pond. But it took them twenty minutes to walk to Wall Street, not half a day. And, after a lifetime of being misfits and almost three years of wandering, here in the wilderness of Manhattan Lucas and Sally had a place of their own.\ They planted before they built, and all that first summer they slept rough with a musket between them, though so far the natives they'd seen weren't hostile. "A little sullen and withdrawn," Sally said. "As if they needed a good purging, but harmless enough."\ Lucas wasn't so sure. Even when their cabin was finished — hewn timber walls and a thick roof thatched with reeds and grasses, as was permitted north of the wall — he went every night to his bed with the musket loaded and at hand. People in the town told endless stories of women who'd been raped, children murdered, men tortured before they were killed, and years of work gone up in flames when a homestead was burned to the ground.\ One good thing: the Dutch had never been greedy enough or stupid enough to sell guns to the tribes living closest to them. In the vicinity of Nieuw Amsterdam, superior weapons gave the Europeans an advantage, though they were outnumbered. In the far north, near Dutch Fort Orange, there was constant fighting with the marauding Catskill and Wawarsink tribes who had been armed by the French and the English, desperate to have the Indians take sides in their wars over colonial territory. It seemed an idiotic policy to Lucas. If you had to choose between trusting a savage or trusting your gun, the weapon won every time.\ Sometimes, long after dark, when he heard the sounds of strange night birds calling to one another in the surrounding woods, he remembered the stories he'd heard about ritual fires where death came after hours of screaming agony, and about mutilation that began with the toes and moved slowly upward. Lying awake in the night, Lucas put his hand to his head and wondered whether a man was always dead before some savage peeled off his scalp. And whether Sally had heard as many stories of rape and torture as he had.\ They were too busy to speak of such things. The earth around their cabin was black and rich. The first season, despite how late she was getting things in the ground, nearly all the seeds Sally brought with her sprouted and thrived. She planted local vegetables as well, the pumpkins and Indian corn the settlers had adopted as basic foods, and at Lucas's urging she gave over a large field at the edge of their cleared land to poppies. "I need enough laudanum, Sal, so I can perform any surgery I want and the patient will not run screaming from the knife."\ "For the patient's sake, of course," Sally said.\ "Of course."\ "You're a liar, Lucas Turner. You want the people you're cutting to be all but senseless because that way, once you cut into them, you can take your time and study how they're made."\ "Aye, there's some truth in that." Lucas spoke without looking up. It was October, five months after their arrival, and he was sitting by the fire in their cabin, using the light to write by. "Truth, but no harm."\ "You're a barber, Lucas, not a surgeon. Only surgeons are permitted to perform an anatomy."\ "You're contradicting yourself, Sal. It's not an anatomy if the patient is alive. Only if you cut open a corpse."\ "Don't lecture me, Lucas. According to Company rules, you are not a surgeon. If they were to discover what you're doing, we — "\ "Are you entirely mad, girl? We're in Nieuw Netherland, not New England. And the Company is on the other side of the ocean. Do you think any English magistrate is going to live through eleven weeks on one of those hell ships just to come and see whether Lucas Turner is being a good boy?"\ "I suppose not." She finished wiping clean the pewter bowls they'd used for their stew of rabbit and corn, and placed them neatly on the shelf above the hearth.\ The pewter bowls had come from a gentlewoman in England. Lucas had moved away the veil that made her blind in her right eye. The literature on the subject went back to the great practitioners of the mystic East, but it was an operation so delicate — only the very tip of the lancet could be used, and the amount of pressure applied was critical — that three English surgeons had refused to attempt it. After he said he would, and did so successfully, Lucas was expelled from the Company on the grounds that he, a barber, possessed surgical instruments. If the woman had died, perhaps he would have been dealt with more leniently. Since she lived and thrived, the jealous surgeons hounded Lucas and Sally from London.\ He watched Sally put away the pewter bowls. A penny to a pound the surgeons who made such grief for him still ate their suppers off wood.\ Sally caught his smile and saw her chance. "Lucas, things are going well for us here, are they not? Your business is doing well?"\ "They are and it is. And if you'd stop worrying about me so I could stop worrying about you, everything would be perfect."\ "I'll try, Lucas. Meanwhile" — she turned away, so she wouldn't have to look at him — "I've been meaning to ask you..."\ "What? Go ahead, Sal, ask."\ "Since we're here and you have so much custom...Is there enough money to put some by for a dowry?"\ It was something they'd talked about before they left Rotterdam. With a dowry, Sally might find a husband who was worthy of her. It was the only chance at marriage she'd have, since she wouldn't accept a man of the class they'd come from, and Lucas had sworn he wouldn't force one on her. "I've thought of it, Sal. But often as not I'm paid in wampum rather than guilders, and — "\ "Everyone uses wampum here. It's as good as money. I'm sure wampum would do for at least part of a dowry."\ "Perhaps you're right. I'll do some asking, Sal. And keep my eyes open for someone who wouldn't mind — " He broke off.\ "Wouldn't mind what, Lucas?"\ "That you're nearly twenty-four. And..."\ "And not comely."\ "I didn't say that."\ "You may as well have."\ "No. What I was going to say was 'Nearly twenty-four, and more clever than any man I'm likely to find in need of a wife here in Nieuw Amsterdam.'"\ *\ Three years earlier, during the typhoid epidemic of 1659, Stuyvesant had established a hospital for those who had not long to live. The worst of the town's whores and drunkards, most of them. Decent folk died in their homes. The hospital had five beds in which, at no cost and purely for the love of Almighty God, the undeserving indigent were allowed to die.\ The good women of the town saw it as their duty to care for the dying, however unworthy. Anna Stuyvesant was frequently seen at the hospital. Occasionally the governor's wife also came. Judith Bayard (though a French Huguenot, she followed the Dutch custom of retaining her own name after marriage) was beautiful, but also a woman of strict rectitude. Even the dying were less likely to scream and curse when she was present. So, too, when the wife of the rector of the Dutch Reformed Church did some of the nursing. Sally Turner, on the other hand, inspired no awe. She got the full brunt of the patients' misery and discontent. Nonetheless, she appeared the most consistently of all the nursing women.\ Nearly every day the juffrouw Turner and her basket could be seen walking along the narrow woodland path between her brother's plantage and the town, entering through the west gate in the sturdy wooden wall, hurrying along the wide Brede Wegh, skirting the small offshoot of the main canal known as Bever's Gracht, then crossing by the narrow bridge that led to Jews Lane.\ That was the only part of the walk Sally disliked. The Jews were fairly recent arrivals, a remnant from a settlement in Brazil. Stuyvesant was known to loathe them, but he'd been forced to let them in because there were Dutch Jews among the directors of the West India Company.\ Just walking past the Jews' yellow brick houses below the mill made the back of Sally's neck prickle. All those stories of strange rituals involving the blood of Christian children...She could never get through the lane fast enough. Sally was glad to gather up her skirts for the passage through Coenties Alley, always slick with mud, toward the three-story stone building that stood at the water's edge.\ Until the year before, the structure had been merely Nieuw Amsterdam's largest tavern and its only inn. When Stuyvesant needed somewhere big enough for all the townspeople to meet, he made it the Stadt Huys, the city hall, as well. Coenties Slip, leading to the town wharf, was in front of the Stadt Huys. Nearby were the town storehouses. Above them, in five workshops that had formerly been leased to the shipwrights, was the hospital.\ There were two windows in the hospital. The dying stank, so the windows were kept open except in the worst of weather. While she went about her duties Sally could look out and see the short street called Hall Place, and the door to the butcher's house Lucas visited so frequently.\ To buy the pig bladders and sheep intestines he needed in his craft, Sally told herself. That's why her brother was so often at the butcher's on Hall Place. And never mind that it was a ten-minute walk from Lucas's shop. After all, he came to the hospital a few times a week to see if anyone needed bleeding or surgery, so naturally —\ "Juffrouw...Please, juffrouw..." A woman's voice. A few hours earlier, weeks before her time and squatting in the alley behind the Blue Dove alehouse on Pearl Street, she'd given birth to twins — dead, and that was a blessing. One had no legs, the other a huge hole in the top of its head. The woman, a notorious whore, had been bleeding since the birth. Sally figured she'd be dead within the next hour or two.\ "Please, juffrouw, can you give me something as stops the burning in my chest? Him over there" — the woman nodded toward the man in the next bed, a drunk who the previous day had had the lower half of his body crushed by a falling barrel but refused to allow Lucas to saw off his legs — "he says you can."\ Sally reached into her basket for a salve of saxifrage and egg yolk, and made herself stop thinking about her brother's too-frequent visits to the butcher's on Hall Place.\ *\ "Good day to you, mevrouw." There was no one else in the shop. Lucas didn't have to keep the twinkle from his eye or the laughter from his voice.\ "And to you, barber. I've something put by just for you. The intestines of a large cow. Come in the back and see."\ Marit Graumann, wife of Ankel Jannssen, stepped from behind the wooden block. Her husband was one of the town's twelve "sworn butchers," permitted to slaughter cattle inside the wall. He paid the tax for a stall in the Broadway Shambles, the market across from the fort, and was required to be there every morning except Sunday. In the afternoon he was permitted to do business from his home. All well and good, except that after Marit gave him his dinner Ankel always stumbled off to bed in a drunken stupor. She herself had to hack apart the meats and poultry sold from the house on Hall Place.\ A curtain of burlap separated the front from the rear of the shop. Marit pushed it aside and waited for Lucas. As soon as he brushed past her he felt himself get hard. She had a special smell. A woman smell. He'd had countless whores in London and Rotterdam, even a few here, but none had ever smelled like Marit. Neither did the women who came to him for treatment. They reeked of illness, often of filth. Mevrouw Marit Graumann smelled of flowers. And her lust had a dark and seductive fragrance of its own. Lucas had never before been with a woman who actually desired him. The experience was intoxicating.\ It was foolhardy to visit the Hall Place house as often as he did, he knew, but he didn't stop. The butcher's wife was as blond as he was dark, and almost as tall. Her body was lush and full. When he held her, Marit's flesh yielded to him, seemed to melt against his. What he could see of it in the dimness behind the butcher shop where all their meetings had taken place was pink and white, and always, when he was near, flushed with longing.\ She led him past the hanging carcasses to the corner of the room they used and that she kept clear for the purpose. The floor of the storeroom, like that of the shop, was covered in sawdust, and she dared not make her husband suspicious by sweeping it clean. They had to couple standing, but that didn't inhibit them. When Marit turned to him she'd already loosed the ties of her bodice.\ Lucas put both hands on her full breasts. He stroked them gently. He'd never known such softness; only the nipples were hard. "Suck them," she whispered. "Lucas, please, suck them. I cannot wait another moment."\ He buried his face in her breasts, sucking both nipples, one after another. Dear God, the smell. And the velvet skin that burned wherever he touched it. She was trembling in his arms.\ "Lucas, ah Lucas...I dream about you every moment. Waking and sleeping. I live only to feel what I feel when I give myself to you."\ He began fumbling himself out of his breeches. She started to lift her skirts. Suddenly there was a clattering above their heads. They froze. Another sound, louder than the first. Then silence.\ "It's all right," Marit whispered after a few seconds. "The bedroom is just above. He must have knocked something over. He drank three mugs of geneva and two of rum with his dinner. He will not wake for hours."\ Lucas stared up at the splintered wooden planks and the rough timbers that formed both the ceiling above his head and the floor of the Jannssen's bedroom. Ankel Jannssen was a hulking brute of a man, a drunken animal. He had no right to a woman like Marit, but he had her nonetheless. God help them. If the butcher found out he could go to law, have Marit whipped and turned into the streets with only the clothes on her back. And everything Lucas owned would be forfeit to him.\ Sweet Jesus, this was insane. Why did he continue to do it? Because even now, after that moment of stomach-churning fear, he was again hard as a rock and raging for her.\ Marit was breathing through her mouth, the tip of her tongue tracing the outline of her lips. "Lucas," she whispered, and lifted her skirt and her petticoats, held them above her waist, and leaned aginst the wall and spread her legs. "Take me, Lucas. Do whatever you want to me. Only kiss me while you do it. Let me feel your tongue in my mouth."\ He put his lips on hers and sucked her breath into his body. His hands were on her buttocks, squeezing the hot flesh, pulling her toward him. His cock knew where to go. It had learned the way these past three months. She began to moan. He thrust deeper into her, squeezed harder. She trembled more. Her moans came faster. The sounds she made grew louder.\ The bell on the shop door rang. "Mevrouw Graumann, are you serving?"\ They had long since decided that locking the door would arouse more suspicion than Marit's absence from the front of the shop. Lucas took his mouth from Marit's. She turned her face to the flimsy curtain that separated them from the waiting customer. "I'll be with you immediately, mijnheer — a moment only."\ "Ja, fine. I'll wait."\ Marit leaned her head back. Lucas could see her face in the dim light. Her cheeks were flushed, her skin dewy with the sweat of her passion. He could smell her. She looked into his eyes. He began thrusting again. Slowly at first, then faster. She closed her eyes and bit her lips to stifle the sounds of her delight. Watching her, feeling her shiver and tremble in his arms, was the most exciting thing he had ever experienced. He finished in a burst of such indescribable pleasure it left him hungry for more, knowing full well he could never have enough.\ A moment later she'd laced her bodice and adjusted her skirts. Marit patted her hair into place and went out into the front room. Lucas heard her discussing the relative merits of pork and venison and soon after, the sound of her cleaver hacking apart the meat the customer had chosen.\ From his corner of the storeroom Lucas could see a side of beef hanging from a hook in the wall, still dripping blood onto the sawdust. A pig's head hung from a second hook, a large and formless drape of cow's intestines from a third. Lucas had mentioned that he'd like to try making ligatures from that rather than the intestines of a sheep. There were a couple of pig bladders as well. They were probably also for him. Lucas could never have too many pig bladders.\ "Lucas, come out front now. He's gone."\ Marit was standing in the storeroom of the doorway, beckoning to him. Lucas went to her, but he drew her to his side of the curtain. "Marit, we must stop this. It is insane. What if you were to find yourself with child? Or — "\ "In seven years of marriage, Lucas, I have not conceived. But if I were with child, people would assume it was my husband's."\ He felt the rush of blood to his head, knew his face was dark with anger. "I cannot bear the thought of that pig touching — "\ "Ssh, calm yourself. He almost never does. Ankel prefers drink to me."\ He took her face between his hands, began kissing her cheeks and her nose and her forehead. "Ah, Marit, Marit...We are mad. This is incredibly dangerous. The consequences are — "\ "I want to go to the woods with you." It was as if she hadn't heard him. "I have been thinking of it for days and days. I want to take off all my clothes and all your clothes, and lie down on the clean earth and have you lie atop me."\ "Marit, we can't. What if — "\ She lifted his hands to her lips and began kissing them, sucking his fingers. Drawing each deep between her pursed lips, keeping her gaze locked on his all the while. "You would not believe the things I want to do to you, Lucas, to have you do to me. I do not believe them. They come into my head and I do not know from where. Think of a way, my darling. It will have to be a Sunday when the shop is closed. Ankel sleeps all Sunday afternoon. You live far from the town. Find a place we can meet and tell me how to get there."\ *\ Sally also had secrets. Hers, too, involved women. Indian women.\ The contact began the first autumn, when they had been only a few months in Nieuw Amsterdam. Sally came across a little Indian girl gathering rose hips in the woods near the cabin. The child ran as soon as she saw the white woman standing nearby, but apparently the bushes near the Turner homestead were specially prized, because she kept returning. There was another accidental meeting, and soon a third. Each time the girl and the woman came a little nearer to trust.\ Finally the moment came when the youngster stood still long enough for Sally to point to the rose hips she was collecting and to simulate a loud sneeze.\ The child giggled. Then she also pretended to sneeze. Next she, too, pointed to the contents of her basket and made an exaggerated wiping motion across her face.\ "Yes, exactly," Sally said, "rose hips ease the winter sickness. And do you, I wonder, make them into a tisane as I would?" She made the motions of pouring water from a jug to a pot and placing it over a fire. The little girl nodded furiously in agreement, an enormous smile on her face. "Ah, so you do! How I wish you could tell me what else you gather from these woods and how you use it."\ The child looked puzzled and shook her head.\ "No, of course you don't understand a word I'm saying. But perhaps...Sally." Sally pointed to herself. "I am Sal-lee."\ The child smiled. "Tamaka," she said. "Ta-ma-ka." Then she grabbed her basket and ran.\ A few days later the child appeared again, this time at the edge of the clearing surrounding the cabin. She was carrying two ears of Indian corn. Sally went out to meet her with a mug of homemade root beer.\ Sally and Tamaka communicated mostly by signs at first; then each learned a few words of the other's language. Finally they developed a shared language of their own — part signs, part English, part the tongue of the child's people — in which they communicated with ease.\ Tamaka told Sally about how once, long ago before the white people came to this island, the place the Turners' cabin stood had been special. It was where women went to give birth; that was why the healing plants here were filled with so much power. Another day the child led her new friend to a thicket where the blackberries grew larger than any Sally had ever seen. And yet another time she showed Sally a shy yellow iris that grew in hidden places beside streams, and explained that the root of the plant could be made into a paste that was good for burns.\ In return Sally showed Tamaka the sweet-smelling pink gillyflowers whose seed she had brought with her from Holland. They could be steeped in honey and the syrup used to treat sore throats, as well as made into a poultice to ease bruises of the ankles and wrists. She gave Tamaka some seed to take back to her village. A few days later Tamaka brought her mother and her aunt to see the gillyflowers growing in Sally Turner's garden.\ That first winter Sally saw Tamaka many times, but she didn't see the older women again until the following summer. Not until Tamaka brought her to the outskirts of the Indian village, and the women who had visited Sally came to meet them. On that occasion, looking grave and purposeful, they led Tamaka's friend to see the gillyflowers growing in their fields among the pumpkins and the squash and the corn.\ Sally never mentioned any of this to her brother. It was the first real secret she'd ever kept from him, but she knew what would happen if she told. Lucas would rail at her about savages. He'd make her swear she wouldn't again go to the Indian village. This little corner of her life, Sally decided, she would keep from her brother. In the interest of peace.\ She kept that promise to herself for two years, until a summer's day in 1663 when she staggered screaming into the barber shop, carrying Tamaka's limp body. "Lucas! Are you here? Lucas!"\ "Sally, what's wrong? What — In Christ's name, girl, who are you bringing me?"\ "Tamaka. She...in the woods...Oh, God..." Sally had carried the child all the way from the cabin to the town, and she was so exhausted she was barely coherent. "Tamaka." She put the girl on Lucas's surgical table and, relieved of her burden, leaned against the wall, panting. "Tamaka."\ Lucas stared at his sister. He made no move toward the child.\ "Her hand. Look." It was all she could manage. Sally slid down the wall and huddled in a heap on the floor, hanging her head between her splayed knees, sucking air into her lungs, waiting for the fiery pain in her chest to subside and her legs and arms to stop quivering.\ Lucas glanced at the girl Sally wanted him to examine. The front of her deerskin skirt was soaked in blood. She lay perfectly still. Only the faint rise and fall of her bare chest told him she was alive. Lucas went to his sister, bent over her, put his hand on her shoulder. "Here, girl, you're half dead with fatigue. Hang on a minute. I'll run across the road and get you a draught of ale."\ "Not me. Tamaka." The words came a little easier now. "Look at her hand, Lucas."\ He turned his head and glanced at the girl on the table. "Sally, she's a squaw brat. An Indian. One less of them means a few less of us to be murdered in our beds."\ Lucas had adopted the colonial summer fashion of wearing a tightly belted leather jerkin in place of a coat. Sally reached up and grabbed its hem. "It's not like that. Don't turn away, Lucas. Look at me. For the love of Jesus Christ, she is a child! And she's my friend."\ "Your what?"\ "My friend. I've known her almost as long as we've been here. We were gathering orris roots in the swamp. She was using a tomahawk. It slipped and she cut her fingers off. I brought them to you. I brought you Tamaka's fingers, Lucas, so you can sew them back on. The ancient Egyptians did it. You told me so. You can do it, too. Please, Lucas. Please."\ Despite himself, Sally's words thrilled him. He'd read of such operations. Back in London he'd even heard of a case in Prussia where a foot was sewn back on, though later it turned black with gangrene and the patient died. But a child's fingers...Small, malleable, an excellent place to practice such surgery. And this was a squaw brat, so it didn't matter if she lived or died.\ Sally was still clinging to his jerkin. Lucas detached her hands and turned to the treatment table.\ Above the blood-soaked skirt he could see the child's budding breasts. She did not move. Lucas thought she was still unconscious; then he looked into her face. She was wide awake and staring at him. Her large dark eyes gave away nothing of what she might be feeling, not even her pain.\ She was holding her left hand with her right, both clasped over her belly. Lucas touched her hands. She did not relax her grip and her eyes never left his face. "She won't let me touch her."\ Sally struggled to her feet and came to the table. She stood beside Tamaka, stroked her forehead and her cheeks. "It's all right, my dear. Brother, mine." She linked her thumbs in one of their private signs. "He can help you." She turned to Lucas. "You can examine her now."\ Lucas peered at the damage to the left hand. Sally had bandaged the wound with sumac leaves and wrapped her shawl around it, but the blood had soaked through everything. He took the shawl and the leaves away. Three small fingers fell to the floor.\ Lucas knelt down and reclaimed them. They were cut clean, but on an awkward slant. "A challenge," he murmured.\ Sally remained beside Tamaka, stroking her face.\ Lucas studied his sister. "Your friend," he said again. "A squaw brat."\ "She's a child, Lucas."\ "It's a fascinating surgery." Lucas had made up his mind. "Come, Sal, assist me."\ She had helped him before and knew exactly what he'd want. She rushed to pour wine into a pot hanging over the fireplace. Lucas always kept a fire going, though in these hot days of August it was well banked. Sally poked at the logs, making them flare, then rushed back to the other side of the room for his instrument case and opened it. Finally she went to the store of simples for the jug of laudanum.\ "No." Lucas was cleaning the wound, swabbing the bloody stumps.\ "For the pain," Sally whispered. "She will suffer so much less."\ "And appreciate less what we're doing for her. No laudanum, Sal. I can't spare it." The child's hand had largely stopped bleeding. "How did you know to pack the wound with sumac leaves? It seems they're excellent for the purpose."\ "Tamaka showed me. The Indians use sumac for hemorrhage."\ "Kept her wits about her, did she? After her mischance with the tomahawk."\ "No, she fainted. I mean she'd told me about the sumac before."\ "Ah, yes, I forgot. You've known her since we arrived. Though you never thou

ContentsBOOK I: THE LITTLE MUSQUASH PATHJune 1661-October 1664BOOK II: THE SEEING FAR PATHDecember 1711-June 1714BOOK III: THE HIGH HILLS PATHAugust 1731-February 1737BOOK IV: THE SHIVERING CLIFFS PATHAugust 1737-November 1737BOOK V: THE CLAWS TEAR OUT EYES PATHSeptember 1759-July 1760BOOK VI: THE PATH OF FLAMESJuly 1765-December 1765BOOK VII: WAR PATHAugust 1776-March 1784EPILOGUE: THE PATH OF DREAMSJune 1798

\ Mark RozzoThis whopping saga, which chronicles the rough-and-tumble goings-on of colonial Manhattan, opens in eye-catching fashion. \ — Los Angeles Times\ \ \ \ \ Publishers WeeklyThe tapestry of early American society is hung out for a fresh viewing in this ambitious historical novel of 1660s New Amsterdam. The English Turners are brother and sister, surgeon/barber and apothecary. Devoted to one another, Sally and Lucas quickly learn to make their way in the harsh, prosperous new world, aiding the Dutch governor Stuyvesant's family and making their reputation in the bargain. Then Lucas sells Sally in marriage to Jacob Van der Vries, a cruel, foolish physician, in order to save her life, Lucas says, but she believes it is to buy his lover's freedom to marry, and she never forgives him. This rift begins a feud between the Van der Vries (later Devreys) and Turners that lasts through the American Revolution. Colorful characters vie with historical figures for attention on this broad stage: there's Jennet, Sally's great-granddaughter, who marries a wealthy Jew; Caleb Devrey, Jennet's first cousin, who loved her as a boy, but becomes her bitterest enemy; Morgan, Jennet's son, a privateer and patriot; and Morgan's best friend and former slave, Cuffy, whose fate is bound to Morgan's by love, hate and the same woman the gorgeous Roisin Campbell aka Mistress Healsall. The healing profession is carried down through each generation of Turners and Devreys, and Swerling's descriptions of early operations with crude instruments are detailed and riveting. The city of New York is a character in its own right, but even it cannot compete with the richly drawn, well-rounded people Swerling creates. This engrossing, generously imagined tale deserves the large audience it should find at a time when the founding fathers reign triumphant in biography. (Oct.) Forecast: The size of thishefty debut may actually be a selling point, since it promises an epic tale. The colorful period jacket art should appeal to browsers, too. Copyright 2001 Cahners Business Information.\ \ \ Kirkus ReviewsAmbitious historical novel of New York City's medical practices from the 1630s to the 1780s, a first novel freighted with so much fact and family melodrama it almost sinks under its own weight. Swerling's narrative tracks two families, the Turners and the Devreys, through six generations of medical practice, economic success and failure, and bitter internecine feuds, treacheries, and reconciliations. This 150-year scope creates complexities that can be followed only by using a family tree, and luckily Swerling provides one. Still, there are so many characters that none gets developed fully, making it easy for the reader to lose track. The Turners are (mostly) surgeons and the Devreys are (mostly) physicians, though several women in both families are apothecaries. At the time, these were competing rather than complementary medical disciplines. The surgeons and apothecaries are clearly favored as Swerling takes us on a fascinating journey through the bold early conflicts between herbal healing and surgery and the mainstream practices taught in the medical schools of the day. The physicians, though more prestigious and "educated," offer their patients little beyond bleeding and purging, while the surgeons provide dramatic scenes of early operations for breast cancer and bladder stones, along with tracheotomies and limb removals. Unlike the physicians, the surgeons experiment with blood transfusions, use laudanum to dull pain, and favor inoculations. Indian attacks, slave revolts, wars, plagues of smallpox and yellow fever, and the brutal everyday life of the city itself-rapes, castrations, venereal diseases, public whippings and burnings-supply carnage aplenty for members of eachgeneration to practice their skills on and argue about. The ongoing feuds here often seem like overwrought plot contrivances, a problem aggravated by this newcomer's fossilizing tendency to pack her dialogue with exposition. But early medicine and city history undeniably make for an interesting read.\ \