Experimental Sound and Radio
Art making and criticism have focused mainly on the visual media. This book, which originally appeared as a special issue of TDR/The Drama Review, explores the myriad aesthetic,cultural, and experimental possibilities of radiophony and sound art. Taking the approach that there is no single entity that constitutes "radio," but rather a multitude of radios, the essays explore various aspects of its apparatus, practice, forms, and utopias. The approaches include historical,political, popular...
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This book, which originally appeared as a special issue of TDR/The Drama Review, explores the myriad aesthetic, cultural, and experimental possibilities of radiophony and sound art.
Radio Icons, Short Circuits, Deep Schisms1Erotic Nostalgia and the Inscription of Desire8Shards of Voice: Fragments Excavated toward a Radiophonic Archaeology22Wired: Schreber As Machine, Technophobe, and Virtualist27HeadHole: Malfunctions and Dysfunctions of an FM Exciter42Cat's Cradle53From One Head to Another55Radiophonic Ontologies and the Avantgarde57Three Receivers73Inaudible Postscript: A silent coda on the disembodied voice and the subsequent unwriting of history81Radio Pay Is No Place: A Conversation between Jerome Noetinger and Gregory Whitehead89Stein's Stein: a tale from the Aphoristic Theatre95Aural Sex: The Female Orgasm in Popular Sound97Developing A Blind Understanding: A Feminist Revision of Radio Semiotics107Interpolation and Interpellation116Mendicant Erotics [Sydney]: a performance for radio125Casual Workers, Hallucinations, and Appropriate Ghosts135Hotel Radio140Lingua Franca144Around Naxos: a radio "film"...151Music to the "nth" Degree167More Facts on the Polywave175Voice Tears: The CD177Biographies182Index187
