Extravagant Abjection: Blackness, Power, and Sexuality in the African American Literary Imagination
Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies in the present, Darieck Scott contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.\ Theorizing the relation between blackness and abjection by foregrounding often neglected depictions of the sexual exploitation and humiliation of men in works by James Weldon Johnson, Toni...
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Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies in the present, Darieck Scott contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.Theorizing the relation between blackness and abjection by foregrounding often neglected depictions of the sexual exploitation and humiliation of men in works by James Weldon Johnson, Toni Morrison, Amiri Baraka, and Samuel R. Delany, Extravagant Abjection asks: If we're racialized through domination and abjection, what is the political, personal, and psychological potential in racialization-through-abjection? Using the figure of male rape as a lens through which to examine this question, Scott argues that blackness in relation to abjection endows its inheritors with a form of counter-intuitive power—indeed, what can be thought of as a revised notion of black power. This power is found at the point at which ego, identity, body, race, and nation seem to reveal themselves as utterly penetrated and compromised, without defensible boundary. Yet in Extravagant Abjection, “power” assumes an unexpected and paradoxical form.In arguing that blackness endows its inheritors with a surprising form of counter-intuitive power—as a resource for the political present—found at the very point of violation, Extravagant Abjection enriches our understanding of the construction of black male identity.
Acknowledgments ixIntroduction: Blackness, Abjection, and Sexuality 11 Fanon's Muscles: (Black) Power Revisited 322 "A Race That Could Be So Dealt With": Terror, Time, and (Black) Power 953 Slavery, Rape, and the Black Male Abject 126Notes on Black (Power) Bottoms 1534 The Occupied Territory: Homosexuality and History in Amiri Baraka's Black Arts 1725 Porn and the N-Word: Lust, Samuel Delany's: The Mad Man, and a Derangement of Body and Sense(s) 204Conclusion: Extravagant Abjection 257Notes 271Index 301About the Author 318
\ From the Publisher“According to Darieck Scott, the awful legacies of racial difference and debasement are not inevitable. And so in Extravagant Abjection, he deftly paves the way for new understandings of the history and culture of black power and violence. His work is theoretically exciting and sophisticated, offering invaluable lessons: that the violent pressure of black history—the pressure of its terrible subordination—can be relieved, often in unexpected ways. Scott helps us see, even in the most humiliating and violent of scenes, an entire horizon of other, sometimes pleasurable, possibilities of resistance.”\ -Michael Cobb,author of God Hates Fags\ “A powerful theoretical statement in the emerging field of black queer studies, Extravagant Abjection makes the bold claim that it is necessary to work through and not simply to ‘white wash’ the political, social, ideological, and psychological consequences of what Darieck Scott names ‘black abjection.’ Building upon the insights of the more articulate practitioners of bondage and submission, Sadism and Masochism, Scott’s readings of key texts in twentieth century Black American literature are at once sophisticated, provocative, creative, and indeed titillating. This book will surely become a ‘dark’ classic.”\ -Robert Reid-Pharr,author of Once You Go Black\ "[Scott] arrives at the provocative notion that it is the black body's status as brought into being by and through past trauma that makes it best positioned to tap the inherent powers of abjection."-American Literature,\ \ \
