Four Blind Mice (Alex Cross Series #8)

Four Blind Mice\ \ By James Patterson \ Warner Vision\ Copyright © 2002 James Patterson\ All right reserved.\ ISBN: 0-446-61326-6 \ \ \ \ Chapter One\ THE DISTRICT ATTORNEY for Cumberland County, North Carolina, Marc Sherman, pushed the old wooden captain's chair away from the prosecution table, and it made a harsh, scraping eeek in the nearly silent courtroom. Then Sherman rose and slowly approached the jury box, where nine women and three men - six white, six African American - waited with anticipation to hear what he had to say. They liked Sherman. He knew that, even expected it. He also knew that he had already won this dramatic murder case, even without the stirring summation he was about to give. \ But he was going to give this closing anyway. He felt the need to see Sergeant Ellis Cooper held accountable for his crimes. The soldier had committed the most heinous and cowardly murders in the history of Cumberland County, North Carolina. The so-called Bluelady Murders. The people in this county expected Sherman to punish Ellis Cooper, who happened to be a black man, and he wouldn't disappoint them.\ The district attorney began: "I have been doing this for a while - seventeen years, to be exact. In all that time, I have never encountered murders such as those committed in December last, by the defendant, Sergeant Ellis Cooper. What began as a jealous rage aimed at one victim, Tanya Jackson, spilled over into the shameless massacre of three women. All were wives, all were mothers. Together these women had eleven children and, of course, three grieving husbands and countless other family members, neighbors, and dear friends.\ "The fateful night was a Friday, 'ladies' night" for Tanya Jackson, Barbara Green, and Maureen Bruno. While their husbands enjoyed their usual card night at Fort Bragg, the wives got together for some personal talk, some laughter, and the treasured companionship of one another. Tanya, Barbara, and Maureen were great friends, you understand. This Friday night get-together took place at the home of the Jacksons, where Tanya and Abraham were raising their four children.\ "Around ten o'clock, after consuming at least half a dozen shots of alcohol at the base, Sergeant Cooper went to the Jackson house. As you have heard in sworn testimony, he was seen outside the front door by two neighbors. He was yelling for Mrs. Jackson to come out.\ "Then Sergeant Cooper barged into the house. Using an RTAK survival knife, a lightweight weapon favored by United States Army Special Forces, he attacked the woman who had spurned his advances. He killed Tanya Jackson instantly with a single knife thrust.\ "Sergeant Ellis Cooper then turned the knife on thirtyone- year-old Barbara Green. And finally, on Maureen Bruno, who nearly made it out of the slaughterhouse but was caught by Cooper at the front door. All three women were killed with thrusts delivered by a powerful male, who has taught hand-to-hand fighting techniques at the John F. Kennedy Special Warfare Center, headquarters for the Army Special Forces.\ "The survival knife has been identified as Sergeant Cooper's personal property, a deadly weapon he had kept since the early 1970s, when he left Vietnam. Sergeant Cooper's fingerprints were all over the knife.\ "His prints were also found on the clothing of Mrs. Jackson and Mrs. Green. DNA from particles of skin found under the nails of Mrs. Jackson were matched to Sergeant Cooper. Strands of his hair were found at the murder scene. The murder weapon itself was discovered hidden in the attic of Cooper's house. So were pathetic 'love letters' he had written to Tanya Jackson - returned unopened.\ "You have seen unspeakable photographs of what Sergeant Cooper did to the three women. Once they were dead, he painted the women's faces with ghoulish-looking blue paint. He painted their chests and stomachs. It is gruesome and twisted. As I said, the worst murders I have ever encountered. You know that there can be only one verdict. That verdict is guilty! Put this monster down!"\ Suddenly, Sergeant Ellis Cooper rose from his seat at the defendant's table. The courtroom audience gasped. He was six feet four and powerfully built. At age fifty-five, his waist was still thirty-two inches, just as it had been when he enlisted in the army at eighteen. He was wearing his dress greens, and the medals on his chest included a Purple Heart, a Distinguished Service Cross, and a Silver Star. He looked impressive, even under the circumstances of the murder trial, and then he spoke in a clear, booming voice.\ "I didn't kill Tanya Jackson, or any of those poor women. I never went inside the house that night. I didn't paint any bodies blue. I've never killed anyone, except for my country. I didn't kill those women. I'm innocent! I'm a war hero, for God's sake!"\ Sergeant Cooper hurdled the wooden gate at the front of the courtroom. He was on Marc Sherman in seconds, knocking him to the floor, punching him in the face and chest.\ "You liar, liar!" Cooper shouted. "Why are you trying to kill me?"\ When the courtroom marshals finally pulled Cooper away, the prosecutor's shirt and jacket were torn, his face bloodied.\ Marc Sherman struggled to his feet and then he turned back to the jury. "Need I say more? The verdict is guilty. Put this monster down."\ (Continues...)\ \ \ \ \ Excerpted from Four Blind Mice by James Patterson Copyright © 2002 by James Patterson. Excerpted by permission.\ All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.\ Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site. \ \

\ From Barnes & NobleThe Barnes & Noble Review\ New York Times bestselling author James Patterson has long been hailed as a superb storytelling craftsman, and his latest hardcover is no exception. A gripping, action-packed thriller, it also packs an emotional wallop to match the speed and complexity of its plot twists. Detective Alex Cross is planning to resign from the Washington, D.C., police force, and he's got a lot on his mind: he's eager to be a more involved parent, worried that he's asking too much of his ailing grandmother, hoping to see where his relationship with San Francisco homicide cop Jamilla Hughes is headed, and considering a job offer from the FBI. The last thing he needs in his life is another complication. But when his close friend and partner John Sampson asks for help, Alex can't refuse -- even though that means taking on the whole U.S. Army. A friend of Sampson's from his days in Vietnam has been arrested for a brutal multiple murder on a military base, and the evidence against him is overwhelming. Sampson believes his friend was framed -- but if he and Cross can't prove it soon, despite military obstructions, the wrong man will be sent to the gas chamber. Unfortunately, while Cross and Sampson quickly become certain that the frame they're investigating is only the tip of an iceberg of deceit and death, the hard evidence they need proves maddeningly elusive. The danger grows as they begin to draw closer to the real killers (a frighteningly skilled team of military assassins known only as the Three Blind Mice) and the shadowy, deadly mastermind who's been calling the shots. Sue Stone\ \ \ \ \ The Los Angeles TimesJames Patterson's Four Blind Mice is about the pain, the panic and, in due course, the carnage inflicted in a series of bizarre attacks that spill a lot of blood and hand out dire punishment for no apparent reason. To avenge a friend framed in one of these crazy setups, two Washington, D.C., police detectives go hunting for the hellhounds who mount the string of inexplicable crimes. It turns out that the fantastical deceivers have military experience; the torments they inflict and the blood they shed are payoffs for atrocities that have been covered up since Vietnam War days. — Eugen Weber\ \ \ Library JournalIn the latest Alex Cross thriller, his partner, John Sampson, takes center stage. A friend of John's, U.S. Army Sergeant Cooper, has been convicted of murdering three women. The military higher-ups are convinced that it's an open-and-shut case, but John knows that his friend is innocent. Their investigation is hampered at every turn, as if the army doesn't care to have the truth revealed, even when Cross and Sampson uncover other military men who were possibly framed for murder. Meanwhile, the real killers, who are methodical in covering their tracks and leaving incriminating evidence pointing to their targets, discover the investigation and decide to mark Cross and Sampson for extermination. This time around, Patterson's story is more personal than plot-driven, and there are a lot fewer plot twists than one usually finds in a Patterson novel. Still, Four Blind Mice is a vast improvement over the previous two Alex Cross thrillers (Roses Are Red, Violets Are Blue), which were both poorly written and unnecessarily gruesome, with a number of unrealistic passages. Libraries won't be able to keep this new book on the shelves. [Previewed in Prepub Alert, LJ 7/02.]-Jeff Ayers, Seattle P.L. Copyright 2002 Cahners Business Information.\ \ \ \ \ Kirkus ReviewsSchematic and pedestrian, Patterson's latest (after The Beach House,] pits Alex Cross against a trio of serial killers. If only Alex Cross (last seen in Violets Are Blue, 200l) could retire from the Washington Police Force, as he wants to when he first appears here, having breakfast with his family. Alas, Cross's friend John Sampson entreats the detective to take one more case, and a desultory pursuit ensues. Sampson believes the conviction of his friend, 'Nam vet Ellis Cooper, for the brutal murder of three women resulted from a frame-up. Patterson's quick (what else?) crosscut to the killers bears Sampson out. Calling themselves "the three blind mice," the men are hired killers unaware of the identity and motives of their employer, who, presumably, is the fourth mouse of the title. With "the clock for Ellis Cooper . . . ticking so loud," Cross and Sampson search in vain for evidence to clear him before he is executed. The Army's indifference to evidence that clears Cooper and points to other suspects bluntly suggests a cover-up. Then, crimes similar to the ones Copper allegedly committed follow: the three killers slaughter their victims, paint them red, and leave a straw doll at the scene of the carnage. E-mails from someone called "Foot Soldier" lead Cross to the solution, which, as Patterson makes obvious, stems from atrocities the military committed in Vietnam. Some feel-good domestic scenes (Cross's grandma survives heart surgery) and a few hackneyed romantic interludes for Cross and Sampson break up the chase. At the closeout, the killers dispatched, Cross is planning to go to work for the FBI, suggesting a new tack for the series. Short chapters, paragraphs, and sentences;stilted dialogue; facile plotting; a few feeble passes at description: a Patterson blue-plate special.\ \