Hi-de-ho: The Life of Cab Calloway
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Clad in white tie and tails, dancing and scatting his way through the "Hi-de-ho" chorus of "Minnie the Moocher," Cab Calloway exuded a sly charm and sophistication that endeared him to legions of fans.In Hi-de-ho: The Life of Cab Calloway, author Alyn Shipton sheds new light on Calloway's life and career, explaining how he traversed racial and social boundaries to become one of the country's most beloved entertainers. Drawing on first-hand accounts from Calloway's family, friends, and fellow musicians, the book traces the roots of this music icon, from his childhood in Rochester, New York, to his life of hustling on the streets of Baltimore. Shipton highlights how Calloway's desire to earn money to support his infant daughter prompted his first break into show business, when he joined his sister Blanche in a traveling revue. Beginning in obscure Baltimore nightclubs and culminating in his replacement of Duke Ellington at New York's famed Cotton Club, Calloway honed his gifts of scat singing and call-and-response routines. His career as a bandleader was matched by his genius as a talent-spotter, evidenced by his hiring of such jazz luminaries as Ben Webster, Dizzy Gillespie, and Jonah Jones. As the swing era waned, Calloway reinvented himself as a musical theatre star, appearing as Sportin' Life in "Porgy and Bess" in the early 1950s; in later years, Calloway cemented his status as a living legend through cameos on "Sesame Street" and his show-stopping appearance in the wildly popular "The Blues Brothers" movie, bringing his trademark "hi-de-ho" refrain to a new generation of audiences. More than any other source, Hi-de-ho stands as an entertaining, not-to-be-missed portrait of Cab Calloway—one that expertly frames his enduring significance as a pioneering artist and entertainer.The Washington Post - Jonathan Yardley[Shipton] makes a solid case for Calloway as a jazz musician as well as an entertainer, and he certainly makes you want to listen to "Minnie" and all the others, for the umpteenth time in my case and, it is to be hoped, for the first time in others'.
Introduction and acknowledgementsList of Illustrations Chapter 1: 1907-1927Chapter 2: 1927-1930Chapter 3: 1930-1931Chapter 4: 1931-1933Chapter 5: 1933-1934Chapter 6: 1934-1937Chapter 7: 1937-1939Chapter 8: 1939-1941Chapter 9: 1941-1948Chapter 10: 1949-1970Chapter 11: 1971-1994NotesBibliography Index
