Insomnia
Nightmares come to life for Ralph Roberts. Up all night, he's seeing some pretty strange things. No wonder he can't get back to sleep. Readers won't be able to either.\ \ \ Old Ralph Roberts hasn't been sleeping well lately. Every night he wakes just a little bit earlier, and pretty soon, he thinks, he won't get any sleep at all. It wouldn't be so bad, except for the strange hallucinations he's been having. Or, at least, he hopes they are hallucinations--because here...
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Ralph Roberts hasn't been sleeping well lately. Every morning he wakes just a little bit earlier until pretty soon, he isn't sleeping at all. It wouldn't be so bad if not for the strange hallucinations—and the nightmares that keep coming to life.Publishers WeeklyForget the lean, mean King of Misery, Gerald's Game and Dolores Claiborne. This is the other King—the Grand Vizier of Verbosity who gave us It, The Tommyknockers and Needful Things. There's much of everything in these 800 pages, including the worthy. Notable is a rare septuagenarian hero, recently widowed Ralph Roberts, whose broodings on old age immerse readers into the aging psyche almost as clearly as other King heroes have revealed the minds of children. Then there's the slam-bang final 300 pages, in themselves a novel's worth of excitement as Ralph battles demonic entities to prevent a holocaust in his small town of Derry, Maine (site of It). The problem is that the finale is preceded by more than a novel's worth of casual, even tedious buildup: Ralph's growing insomnia; his new ability to see auras around all living things; his dismay as Derry's citizens divide violently over the impending visit of a radical pro-lifer; his slow realization that celestial forces have marked Derry as a battleground between good and evil. King remains popular fiction's most reliable mirror of cultural trends, in particular our continuing love affair with horror (Barker and Koontz are palpable influences here). If this novel were liposuctioned, it would rank among King's best; as is, it's another roly-poly volume from a skilled writer who presumes his readers' appetite for words is more gourmand than gourmet. 1,500,000 first printing; $1 million ad/promo; paperback rights to Signet; simultaneous audio release from Penguin Highbridge; BOMC selection. (Oct.)
\ Publishers Weekly - Publisher's Weekly\ Forget the lean, mean King of Misery, Gerald's Game and Dolores Claiborne. This is the other King—the Grand Vizier of Verbosity who gave us It, The Tommyknockers and Needful Things. There's much of everything in these 800 pages, including the worthy. Notable is a rare septuagenarian hero, recently widowed Ralph Roberts, whose broodings on old age immerse readers into the aging psyche almost as clearly as other King heroes have revealed the minds of children. Then there's the slam-bang final 300 pages, in themselves a novel's worth of excitement as Ralph battles demonic entities to prevent a holocaust in his small town of Derry, Maine (site of It). The problem is that the finale is preceded by more than a novel's worth of casual, even tedious buildup: Ralph's growing insomnia; his new ability to see auras around all living things; his dismay as Derry's citizens divide violently over the impending visit of a radical pro-lifer; his slow realization that celestial forces have marked Derry as a battleground between good and evil. King remains popular fiction's most reliable mirror of cultural trends, in particular our continuing love affair with horror (Barker and Koontz are palpable influences here). If this novel were liposuctioned, it would rank among King's best; as is, it's another roly-poly volume from a skilled writer who presumes his readers' appetite for words is more gourmand than gourmet. 1,500,000 first printing; $1 million ad/promo; paperback rights to Signet; simultaneous audio release from Penguin Highbridge; BOMC selection. (Oct.)\ \ \ \ \ Library JournalThe publisher plans to promote King's latest bit of horror with an advertising campaign-aimed at everything from TV to online services-that says, ``Insomnia. It looms.'' A BOMC main selection.\ \ \ School Library JournalYA-Ralph Roberts has been waking earlier and earlier every night for weeks, and the forgetfulness and weariness caused by sleep deprivation are starting to affect him. When he begins to see brilliant auras around people and objects, his concern grows. As his nights become shorter, his visions become more terrifying, and yet more real. Strange forces are maneuvering for power in Derry, Maine, and somehow Ralph is a part of the conflict. Well-read students will note references to Greek mythology, the Bible, and to Tolkien's Lord of the Rings Houghton, 1967 interspersed with modern cultural allusions. King's forte, however, is characterization, and there is no shortage of it here. Good guys and evil are well developed, with a depth that makes them believable. Although Ralph is clearly identified as a septuagenarian, he is never stodgy or prudish, and will appeal to teens. Some of King's more recent novels, such as Gerald's Game 1992, have been disappointing, but Insomnia is closer to It 1987 and Needful Things 1992, all Viking in its suspense and entertainment potential. A good return trip to Derry, Maine.-Robin Deffendall, Bull Run Regional Library, Manassas, VA\ \ \ \ \ Ray OlsonKing's last few novels have been, by his standard, slim and economical. With this dark fantasy based on the conception of a multilevel ultimate reality, he returns to the massiveness of The Stand and It and The Tommyknockers. On one of the long, exhausting walks old Ralph Roberts starts taking as a brain tumor slowly kills his wife, he witnesses a friendly young neighbor, Ed Deepneau, behaving totally out of character--indeed, like someone possessed. About a year later and after his wife's death, Ralph begins waking early and then earlier and earlier. He also starts seeing things--intense colors streaming off people and animals. Meanwhile, Ed has turned into an antiabortion fanatic and wife-beater. Ralph intervenes to help Helen Deepneau escape from Ed, for which Ed threatens him. Or is it Ed? Ralph senses that someone or something else is in control of the troubled man. Ralph's right, of course. Ed has been involuntarily recruited on one side, and, it develops, Ralph and his also-widowed neighbor, Lois Chasse, on the other, of a supercosmic struggle the import of which King reveals with deliciously tantalizing gradualness. This is a yarn so packed with suspense, romance, literary reference, fascinating miscellaneous knowledge, and heart that only Stephen King could have written it. Marvelous--that is, full of marvels.\ \ \ \ \ InterviewStephen King is an immensely talented storyteller of seemingly inexhaustible gifts.\ \ \ \ \ TimeStephen King is superb.\ \
