Instruments of Darkness

Tuesday 24th September\ There were a few worse places to be in the world than outside warehouse 2 in Cotonou Port, but I couldn't think of them. Moses and I were on our haunches in 105 degrees and-it felt like-200 per cent humidity. I was losing weight and patience.\ Berthed on number 2 quay, in air crinkled by the heat from the baked concrete, was the Naoki Maru. It was a 14,000-tonner dry cargo ship with a rust problem and an Oriental crew who leaned on their elbows at the ship's rail, waiting. Waiting to discharge my client's 7000 tons of parboiled rice from Thailand which was going to be sold to Madame Severnou, who I was waiting for to come and give me the money. Above us, on the roof, a couple of vultures were waiting for someone to make a mistake crossing the road. A driverless fork lift stood outside warehouse 3 with a pallet of cashew nut sacks a metre off the ground waiting to put them down. I could see the driver, waiting and doing some sleeping on some sheanut sacks in the warehouse. We were all waiting. This is Africa where everybody has mastered the art of waiting. Waiting and sweating.\ The sweat was tickling my scalp as it dripped down the back of my head. I could feel it coursing down my neck, weaving through my chest hair, dribbling down my thickening stomach and soaking into the waistband of my khaki trousers so I knew I'd have a rash there for a week. I wasn't even moving. The dark patches under my arms were moving more than I was. I looked down at my hands. The sweat hung in beads off my forearms and dripped down my knuckles and in between my fingers. Christ, even my nails were sweating. I looked at Moses. He wasn't sweating at all. His black skin shone like a pair of good shoes.\ 'Why you no sweat, Moses?'\ 'I no with a woman, Mister Bruce.'\ 'You do sweat then?'\ 'Oh yes please, sir.'\ I had a newspaper in my hand called the Benin Soir which always came out the morning after the 'soir' looking unshaved, hungover and ready for nothing. I opened it and scanned the pages. There was nothing but smudged newsprint and black and white photographs of African people on black backgrounds. I tried to get some breeze from turning the pages.\ I turned the last page and folded the paper in half. I was going to start fanning my face, which is what most people use the Benin Soir for, when I saw an almost readable item in the bottom left-hand corner with the heading: Tourist Dead. Cotonou had never had tourists and now the first one had died.\ The article told me that a girl called Françoise Perec, a French textile designer, had been found dead in an apartment in Cotonou. There was a paragraph that finished with the word sexuel which I couldn't read at all and I didn't need to. A police spokesman said that it looked like a sex session that had gone too far. I wondered how a policeman could tell that from a dead body. Is there such a thing as an ecstatic rictus? A drop of my sweat hit the page. I folded the newspaper and used the Benin Soir how it was meant to be used.\ I was beginning to gag on the smell of hot sacks, stored grain and crushed sheanut when a pye-dog strayed out of the warehouse shade. It wasn't the healthiest pye-dog I'd ever seen. It definitely wasn't anybody's pet dog. It had the shakes. I could count its toast rack ribs and it needed a rug job. Its nose hoovered the ground. Out of the corner of my eye I saw one of the crewmen leave the ship's rail. The pye-dog moved in tangents. It stopped, clocked round a spot as if its nose was glued to it and then moved on. The crewman bounced down the gangway. There was a flash of light from his hand. He was carrying a cleaver.\ Moses had pushed up his sunglasses and was frowning at the way things were developing. Inevitability was in the air. The pye-dog, its diseased hindquarters shaking, the crewman, his stainless steel cleaver glinting, closed on each other. The sun was high. There were no shadows. The instant before they met, the dog looked up, aware of something. The survival instinct wasn't operating too well inside that pye-dog. He looked right. The crewman came from the left and took the dog's head clean off with a single blow.\ There was no sound. The dog's fallen body twitched with brainless nerves. The crewman picked up the dog's head and held it trophy high. The men at the rail burst into cheering and clapping. Moses threw off his Mr Kool act and was up on his feet, eyes rolling in horror, and pointing.\ 'Must have been a Chinese,' I said, before Moses could get anything out.\ 'Why he kill the dog?' asked Moses.\ 'To eat.'\ 'He eat him?' Moses was shocked.\ 'You eat rat. He eat dog,' I said, trying to balance the horror of foreign cuisine.\ 'Dog eat dog,' said Moses, laughing at his own joke, '...and I no eat rat. I eat bush rat and he no rat rat.'\ 'I see,' I said, nodding.\ The crewman put the dog's head down and picked up the body which he tucked under his arm. The legs still twitched in memory of birds chased and rubbish investigated. He bent down again and picked up the head by an ear. He walked back to the ship. The dog's tongue lolled out of the side of its mouth. Its wall eyes bulged out. A dark patch remained on the concrete of number 2 quay.\ 'He go eat him!' Moses confirmed to himself as if it were a fair thing to do.\ 'Hot dog,' I said without smiling, knowing that Moses would roar with laughter, which he did. My best lines fall on deaf ears, my worst are a triumph. I think I satisfy his anticipation.\ 'Here we go,' I said, standing up.\ Moses turned and saw the group of hadjis heading our way. Al hadji is the title given to a Muslim who has been to Mecca. Before air travel it must have been a big deal to have been a West African hadji. Now they charter planes and a grand will do the job. These boys have got money and Allah on their side and a long line in horseshit.\ They looked quite something, for a bunch of businessmen, dressed in their floor-length robes, their black skins against the light blue, green, burgundy and yellow cloth, their heads bobbing underneath multi-coloured cylindrical hats. In another world they could have been showing a summer collection. Here they meant business. They were going to hassle me for the rice which wasn't mine to be hassled for. I reached for my cigarettes. They weren't there. I gave up last year. That's why I put on the weight. It all came back.\ I heard an expensive engine. A grey Mercedes with tinted windows stopped with a squeak in between me and the hadjis. An electric motor lowered the window. The hadjis huddled together so that the car's occupant must have seen seven sweaty faces pressed into the frame of the window. One of them took out a hanky and wiped his brow.\ Some African words came from the back seat of the car. The words sounded like they could move some sheep around. They had the hadjis rearing back. The group moved as one, turning and walking back to the port entrance. The window buzzed back up. One of the hadjis fell back to get a stone out of his Gucci loafers.\ The Mercedes swung round to where Moses and I were standing. The driver, anthracite black, was out of the car almost before it had stopped. He opened the rear door and looked as if he might drop to one knee.\ I got a short blast of air-conditioned cool and with it came Madame Severnou. All five foot of her and another nine inches of sculpted deep green satin which sat on her head but could just as easily have made it to a plinth in the Uffizi. At six foot four I could put a crick in her neck, but as Madame Severnou knew, size wasn't anything.\ 'Bruce Medway,' she said, as if tungsten would melt in her mouth. She held out a small coffee-coloured hand encrusted with gold rings and jewels.\ 'Madame Severnou,' I said, taking her hand and thinking, this is one of the few occasions you put twenty grand into someone's hand and get it back. 'How's business?'\ 'Very good. I've been in Abidjan...Ali!' she shouted, withdrawing her hand and checking it to make sure she hadn't slipped a grand or two.\ The driver, who had been standing to attention by the boot, opened it on cue. He took out the double bedsheet which had been drawn into a sack like laundry. Moses opened the boot of my smacked-up Peugeot estate and Ali dumped it on top of the tool box and spare tyre.\ 'What did you say to the hadjis?' I asked Madame Severnou.\ 'I remind them I am the seller. They know it but they forget sometime.'\ Madame Severnou was petite from the waist upwards but downwards was the market mamma bottom, a bargaining tool not to be messed with. This meant that she didn't walk, she waddled, and the bottom did what the hell it liked. She waddled over to the Peugeot. Moses backed off. She turned to me and said: 'Six hundred and thirty-six million CFA. I hope you have some friends to help you count it. Not much of it is in ten thousand notes.'\ She held out her hand and I put an envelope in it which she tore open. Her eyes flickered for a fraction of a second.\ 'This is a non-negotiable copy,' she said with an edge to her voice that I could feel against my carotid.\ 'It is,' I said.\ 'It's no Monopoly money in here!' she said, pointing at the boot. 'Ali!' she roared, whipping the air with her finger. Ali lunged at the laundry.\ 'Moses,' I said in a voice made to steady the thin red line. The boot came down and Ali was lucky to get away with his fingers still on.\ 'I'll count it and give you the original tomorrow,' I said to Madame Severnou. The ground frosted over between us but we both started at the two vultures which dropped down beside the dark patch where the pye-dog had been killed and broke Madame Severnou's concentration. She turned back to me.\ 'I give you six hundred and thirty-six million CFA and you give me a piece of paper.' Her voice came fully loaded. I said nothing. The look she gave me thudded between my eyes and I realized this was not the usual West African drama.\ The two vultures, their wings folded behind their backs, paced around the patch on the quay like two detectives inspecting the outline of a murder victim.\ 'What about demurrage?' asked Madame Severnou.\ 'Time doesn't start counting until tomorrow noon.'\ 'What about my trucks?'\ 'I'll see you tomorrow. I've only got twenty-four hours to count all this.'\ Something clicked in Madame Severnou's face. The points had changed. The boiling anger flattened to a simmer, her little mouth pouted and broke into a smile.\ 'OK. You come to lunch. I cook for you. Agouti. Your favourite.' Her smile was like a faceful of acid.\ I got the panoramic view of her bottom as she climbed into her car. Ali closed the door. The window buzzed down. She had all the techniques and the technology to go with them.\ 'I do the snails for you as well. Just like last time.'\ The window slid back up and the Mercedes moved out into the fierce sunlight between the warehouses. Agouti? That's bush rat which she cooked with okra and manioc leaves. 'Rat in Green Slime'. The snails, my God, the snails-they looked and tasted like deformed squash balls and the chilli sauce was so hot the last time, I woke up the next day still in a silent scream.\ Moses hadn't missed the cruelty in those eyes as the electric window zipped up her face. He was fumbling for the door handle. I was nervous myself.\ 'Less go now, Mister Bruce.'\ 'Wait small.'\ 'Is lunchtime.'\ 'I know. I think is better we wait small. Let the traffic calm down. Then we go. We look at this ship now.'\ We drove to the ship circling the vultures on the way. They were shaking their heads, then looking at each other, then staring at the ground. They knew there had been a death, a recent one, and a pye-dog too, but where the hell was it?\ This was a first for Moses and I to be driving around with more than a million pounds in the back seat and Moses's clutchless gear changes were shredding metal and my inner calm. Madame Severnou hadn't made things any easier for us. At least she didn't know where I lived and I was anxious that she didn't find out. I had a feeling from the sweetness of her lunch invitation that well before we sat down to eat I was going to get a lesson in business etiquette that wasn't included in the Harvard course.\ One of the crewmen took me up to meet the ship's Korean captain in his cabin. The generator rumbled like an old man in a bathroom but still coughed out some air conditioning which made my back colder than a dungeon wall. The captain poured me a cold beer. The first inch put medals on my chest. There was a photograph on the cabin wall of the captain with what looked like his local kindergarten.\ 'Which ones are yours?' I asked.\ 'All of them,' he said.\ 'All of them?'\ 'And another coming. I love childrens.' He said it like most people talk about pizza.\ We chatted about rice, his home in Korea, storms in the Pacific and favourite ports. He wasn't an African fan. On the way here he had discharged containers in Abidjan and Tema, picked up some containers of old cashew nut in Lomé, and was now going to Lagos to discharge hi-fi and load cotton, then on to Douala or Libreville, he didn't know which, and it didn't matter because he hated both. He liked Ghana. They had a good Korean restaurant in Accra. I knew it. They served me a gin and tonic there which came with a stretcher.\ He walked me around the ship. I felt like royalty except I couldn't think of anything nice to say. It was one of those ships that takes a bunch of Koreans two weeks to build. Five holds, one aft, four forward with the bridge in between. The lifting gear on number 5 hold at the rear of the ship was broken; the captain put his hand on my shoulder and told me not to worry, that the rice was in the four forward holds. The fifth hold had the hi-fi in it for discharge at Lagos, and that was where they would fix the lifting gear.\ We looked at the rice, which wasn't very interesting. How long can you look at a pile of sacks? The captain said something to a man holding a four-foot spanner who would never be clean again. I thought about showing some interest, but instead leaned on the slatted metal cover of number 2 hold and earned a first degree burn for my trouble. Moses stood by the gangway, not learning any Korean at all. It was time to blow. The smell of hot painted metal was taxing my nose's interest in life.\ I held my hand out to the captain who said: 'You must have lunch,' and we both turned at the same time because Moses was showing us how to get down a gangway starting on his feet and ending on his nose.\ 'Moses!' I shouted.\ He was holding the car door open for me which he had done on the first day he worked for me and never since.\ 'Yes please, Mister Bruce, sir.'\ 'Lunch?'\ 'You forget something, Mister Bruce.'\ 'No.'\ 'You have meeting.'\ 'I have?'\ 'The meeting with the man with the dog.'\ 'The man with the dog?'\ 'Yes please, sir.'\ I turned to the captain and shook his hand. 'Sorry, I have a meeting with a man with a dog. Next time, I hope.'\ As I got in the car, I saw Moses was sweating.\ 'I don't see no woman, Moses,' I said down my shirt front.\ We drove off, me grinning and Moses shouting: 'You go make me eat dog! Mister Bruce. I no eat um. I no eat um never.'\ Copyright © Robert Wilson 1995\ All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means,\ electronic or mechanical, including photocopy, recording,\ or any information storage and retrieval system, without permission in writing from the publisher.\ Requests for permission to make copies of any part of the work should be mailed to the following address:\ Permissions Department, Harcourt, Inc.,\ 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

\ From the PublisherPRAISE FOR INSTRUMENTS OF DARKNESS\ "A witty, fast-moving and picaresque tale . . . peopled by deliciously shady characters."—Nelson DeMille\ "An atmospheric and absorbing debut ... Vividly paints a credible picture of a world I know almost nothing about. Now I feel I've been there."—Val McDermid\ PRAISE FOR THE COMPANY OF STRANGERS:\ "An espionage thriller of the first order—complex, exotic, romantic."—San Francisco Chronicle\ PRAISE FOR A SMALL DEATH IN LISBON:\ "A taut international thriller."—Time\ \ \