Introduction to the Creation of Electroacoustic Music
This text aims to be accessible to students relatively inexperienced with electronic musical technology, while also sufficiently detailed for technical and musical achievement. Furthermore, it stresses the notion that, despite all the attention given to technique, the principal goal is musical expression.
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This text aims to be accessible to students relatively inexperienced with electronic musical technology, while also sufficiently detailed for technical and musical achievement. Furthermore, it stresses the notion that, despite all the attention given to technique, the principal goal is musical expression.
PrefaceIntroductionCh. 1From Sound to Electricity, and Back1Ch. 2Music from Tape Recorders31Ch. 3Digital Recording61Ch. 4Multiple-Track Recording and Mixing81Ch. 5The Musical Instrument Digital Interface127Ch. 6Advanced MIDI Networks181Ch. 7Tone Colors209Ch. 8Analog Sound Synthesis225Ch. 9Digital Sound Sampling and Synthesis267Ch. 10Composing Electroacoustic Music315Ch. 11The Audience for Electroacoustic Music359Ch. 12Technology and Music: From the Past to the Future393Appendix A: Hints for Microphone Placement in Common Recording and Sound-Reinforcement Situations401Appendix B: Other Systems of Numbers404Appendix C: Further Details of the Musical Instrument Digital Interface408Appendix D: Suggested Listening422Appendix E: The Interaction of Music and Technology: A Case Study430Index435
