It Was the War of the Trenches
World War I, that awful, gaping wound in the history of Europe, has long been an obsession of Jacques Tardi’s. (His very first—rejected—comics story dealt with the subject, as does his most recent work, the two-volume Putain de Guerre.) But It Was the War of the Trenches is Tardi’s defining, masterful statement on the subject, a graphic novel that can stand shoulder to shoulder with Erich Maria Remarque’s All Quiet on the Western Front and Ernest Hemingway’s A Farewell to Arms.\ Tardi is not...
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Tardi’s World War I masterpiece finally in English!Publishers WeeklyRedressing a sad literary situation—the prior unavailability of this full masterpiece in English—Fantagraphics finally brings Tardi’s wrenching tales of trench warfare during WWI to American audiences. Tardi, whose French grandfather would often recount his experiences on the front lines, has tackled the subject several times over the decades, and this unremittingly bleak collection of vignettes represents the artistic culmination of his obsession. Portions of this collection were first published in Art Spiegelman’s groundbreaking RAW comics anthology in the early 1980s, and Tardi didn’t complete the work until nearly a decade later. Yet neither the long gestation period nor the lack of a central narrative prevents it from standing as a singular, cohesive work of art. From the living hell of combat to the ghostlike calm of bombed-out villages, each panel radiates with the fear and hopelessness of hapless conscripts who strive only to retain their limbs and their sanity. Calling the war “a gigantic, anonymous scream of agony,” Tardi skewers the concept of nationalism and drives home the banality of death. Dark, densely packed backgrounds and heavy wedges of solid black recall the dramatic shading effects of European expressionism, as do the characters’ black, fearful eyes. Nearly a century after the fact, Tardi’s outrage and compassion make the First World War sting like a fresh wound. (Apr.)
\ Publishers WeeklyRedressing a sad literary situation—the prior unavailability of this full masterpiece in English—Fantagraphics finally brings Tardi’s wrenching tales of trench warfare during WWI to American audiences. Tardi, whose French grandfather would often recount his experiences on the front lines, has tackled the subject several times over the decades, and this unremittingly bleak collection of vignettes represents the artistic culmination of his obsession. Portions of this collection were first published in Art Spiegelman’s groundbreaking RAW comics anthology in the early 1980s, and Tardi didn’t complete the work until nearly a decade later. Yet neither the long gestation period nor the lack of a central narrative prevents it from standing as a singular, cohesive work of art. From the living hell of combat to the ghostlike calm of bombed-out villages, each panel radiates with the fear and hopelessness of hapless conscripts who strive only to retain their limbs and their sanity. Calling the war “a gigantic, anonymous scream of agony,” Tardi skewers the concept of nationalism and drives home the banality of death. Dark, densely packed backgrounds and heavy wedges of solid black recall the dramatic shading effects of European expressionism, as do the characters’ black, fearful eyes. Nearly a century after the fact, Tardi’s outrage and compassion make the First World War sting like a fresh wound. (Apr.)\ \
