Little Misunderstandings of No Importance
The eleven short stories in this prize-winning collection pivot on life's ambiguities and the central question they pose in Tabucchi's fiction: is it choice, fate, accident, or even, occasionally, a kind of magic that plays the decisive role in the protagonists' lives?\ The eleven short stories in this prize-winning collection pivot on life's ambiguities and the central question they pose in Tabucchi's fiction: is it choice, fate, accident, or even, occasionally, a kind of magic that plays...
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'Misunderstandings, uncertainties, belated understandings, useless remorse, treacherous memories, stupid and irredeemable mistakes, all these irresistibly fascinate me, ' the Italian writer Antonio Tabucchi remarks. 'Life is by nature ambiguous and distributes ambiguities among all of us.' This side of life is reflected in these eleven stories. Is it choice, fate, accident, or even, occasionally, a kind of magic that plays the decisive role in the protagonists' lives?Publishers WeeklyThe author's opening note admits his fascination with ``uncertainties, belated understandings, useless remorse, treacherous memories.'' Such are the ambiguous situations that inform these 11 pleasantly brooding tales. Translated from the Italian of Tabucchi (Letter from Casablanca), their flavor is international, with settngs that include Paris, Lisbon, Madras, and New York. ``Sleight of Hand'' involves an undercover rendezvous in which a mysterious packet is delivered during a performance at the Metropolitan Opera. The two contacts, a man and a woman, develop an intimacy not scripted by their duties. Art and actuality mingle in ``Cinema'' when an actor and actress find truth in the lines they recite before the camera. In ``Rooms,'' the aging Amelia reflects before burning the writings left by her famous brother, now dead: words ``imprison things, hardening them into a glassy fixity,'' but realities can never be captured. Tabucchi's ruminative musing will appeal to readers who care about the subtlest relationships among families, friends and lovers. (September 25)
\ Publishers Weekly\ - Publisher's Weekly\ The author's opening note admits his fascination with ``uncertainties, belated understandings, useless remorse, treacherous memories.'' Such are the ambiguous situations that inform these 11 pleasantly brooding tales. Translated from the Italian of Tabucchi (Letter from Casablanca), their flavor is international, with settngs that include Paris, Lisbon, Madras, and New York. ``Sleight of Hand'' involves an undercover rendezvous in which a mysterious packet is delivered during a performance at the Metropolitan Opera. The two contacts, a man and a woman, develop an intimacy not scripted by their duties. Art and actuality mingle in ``Cinema'' when an actor and actress find truth in the lines they recite before the camera. In ``Rooms,'' the aging Amelia reflects before burning the writings left by her famous brother, now dead: words ``imprison things, hardening them into a glassy fixity,'' but realities can never be captured. Tabucchi's ruminative musing will appeal to readers who care about the subtlest relationships among families, friends and lovers. (September 25)\ \
