Locomotion
When Lonnie was seven years old, his parents died in a fire. Now he's eleven, and he still misses them terribly. And he misses his little sister, Lili, who was put into a different foster home because "not a lot of people want boys-not foster boys that ain't babies." But Lonnie hasn't given up. His foster mother, Miss Edna, is growing on him. She's already raised two sons and she seems to know what makes them tick. And his teacher, Ms. Marcus, is showing him ways to put his jumbled feelings...
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When Lonnie was seven years old, his parents died in a fire. Now he's eleven, and he still misses them terribly. And he misses his little sister, Lili, who was put into a different foster home because "not a lot of people want boys-not foster boys that ain't babies." But Lonnie hasn't given up. His foster mother, Miss Edna, is growing on him. She's already raised two sons and she seems to know what makes them tick. And his teacher, Ms. Marcus, is showing him ways to put his jumbled feelings on paper. Told entirely through Lonnie's poetry, we see his heartbreak over his lost family, his thoughtful perspective on the world around him, and most of all his love for Lili and his determination to one day put at least half of their family back together. Jacqueline Woodson's poignant story of love, loss, and hope is lyrically written and enormously accessible.Publishers WeeklyIn 60 poems, an orphaned boy explores the various forms of poetry. "Through her hero, the author creates a contagious appreciation for poetry while using the genre as a cathartic means for expressing the young poet's own grief," said PW in a starred review. Ages 8-up. (Dec.) Copyright 2004 Reed Business Information.
\ Publishers WeeklyIn 60 poems, an orphaned boy explores the various forms of poetry. "Through her hero, the author creates a contagious appreciation for poetry while using the genre as a cathartic means for expressing the young poet's own grief," said PW in a starred review. Ages 8-up. (Dec.) Copyright 2004 Reed Business Information.\ \ \ \ \ VOYAThis book takes the reader into the life of a young boy growing up in a foster home after being separated from his little sister. Its simple yet honest poetry gives you a clear look into the feelings and emotions of Lonnie as he takes what he is given and makes poetry out of it. Locomotion gives you a point of view not often told and takes you on a journey to remember. VOYA CODES: 5Q 4P M J S (Hard to imagine it being any better written; Broad general YA appeal; Middle School, defined as grades 6 to 8; Junior High, defined as grades 7 to 9; Senior High, defined as grades 10 to 12). 2003, Putnam's, 128p, \ — Lisa Paluszkiewicz, Teen Reviewer\ \ \ School Library JournalGr 4-6-Four years after losing his parents in a fire, and separated from his younger sister, an 11-year-old African-American boy finds catharsis in writing poetry. Told in Lonnie's affecting voice, this tightly constructed, exemplary novel in verse will touch readers' hearts. JD Jackson's cassette narration allows listeners to feel the rhythm of the different poetic forms from sonnets to haiku to free verse. Copyright 2004 Reed Business Information.\ \ \ \ \ Kirkus ReviewsCount on award-winning Woodson (Visiting Day, p. 1403, etc.) to present readers with a moving, lyrical, and completely convincing novel in verse. Eleven-year-old Lonnie ("Locomotion") starts his poem book for school by getting it all down fast: "This whole book’s a poem ’cause every time I try to / tell the whole story my mind goes Be quiet! / Only it’s not my mind’s voice, / it’s Miss Edna’s over and over and over / Be quiet! . . . So this whole book’s a poem because poetry’s short and / this whole book’s a poem ’cause Ms. Marcus says / write it down before it leaves your brain." Lonnie tells readers more, little by little, about his foster mother Miss Edna, his teacher Ms. Marcus, his classmates, and the fire that killed his parents and separated him from his sister. Slowly, his gift for observing people and writing it down lets him start to love new people again, and to widen his world from the nugget of tragedy that it was. Woodson nails Lonnie’s voice from the start, and lets him express himself through images and thoughts that vibrate in the different kinds of lines he puts down. He tends to free verse, but is sometimes assigned a certain form by Ms. Marcus. ("Today’s a bad day / Is that haiku? Do I look / like I even care?") As in her prose novels, Woodson’s created a character whose presence you can feel like they were sitting next to you. And with this first novel-in-verse for her, Lonnie will sit by many readers and teach them to see like he does, "This day is already putting all kinds of words / in your head / and breaking them up into lines / and making the lines into pictures in your mind." Don’t let anyone miss this. (Fiction. 9-13)\ \
