Material World: A Global Family Portrait
In an unprecedented effort, sixteen of the world’s foremost photographers traveled to thirty nations around the globe to live for a week with families that were statistically average for that nation. At the end of each visit, photographer and family collaborated on a remarkable portrait of the family members outside their home, surrounded by all of their possessions—a few jars and jugs for some, an explosion of electronic gadgetry for others. Vividly portraying the look and feel of the human...
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In an unprecedented effort, sixteen of the world’s foremost photographers traveled to thirty nations around the globe to live for a week with families that were statistically average for that nation. At the end of each visit, photographer and family collaborated on a remarkable portrait of the family members outside their home, surrounded by all of their possessions—a few jars and jugs for some, an explosion of electronic gadgetry for others. Vividly portraying the look and feel of the human condition everywhere on Earth, this internationally acclaimed bestseller puts a human face on the issues of population, environment, social justice, and consumption as it illuminates the crucial question facing our species today: Can all six billion of us have all the things we want? Library Journal Although Material World might appear to fall into the genre epitomized by Edward Steichen's The Family of Man (1955), the book truly defies facile classification; it seems at once art, photojournalism, human geography, and visual anthropology. It is a remarkable and captivating coupling of photographic art with economic and demographic statistics. Very largely the work of 16 photographers, including Menzel, the book is most outstanding in its color photographic portraits of 30 families with their material possessions arrayed nearby. Each family represents one of 30 different countries-some poor, some rich-and each approximates what World Bank and UN statisticians deemed to be "average" for its country. Tables associated with the photographs provide statistical portraits of the families and their nations; photographers' notes on their specific projects enlighten the viewer. Though the format allows superficial browsing, the combination of detailed photographic presentations of material goods with the commentaries and statistics invites careful reading and cross-cultural comparison. Readers should find the comparison worth making. Strongly recommended for all libraries. [A CD-ROM of the same title is available; for more information, see p. 21.-Ed.]-James D. Haug, East Carolina Univ. Lib., Greenville, N.C.
\ Library JournalAlthough Material World might appear to fall into the genre epitomized by Edward Steichen's The Family of Man (1955), the book truly defies facile classification; it seems at once art, photojournalism, human geography, and visual anthropology. It is a remarkable and captivating coupling of photographic art with economic and demographic statistics. Very largely the work of 16 photographers, including Menzel, the book is most outstanding in its color photographic portraits of 30 families with their material possessions arrayed nearby. Each family represents one of 30 different countries-some poor, some rich-and each approximates what World Bank and UN statisticians deemed to be "average" for its country. Tables associated with the photographs provide statistical portraits of the families and their nations; photographers' notes on their specific projects enlighten the viewer. Though the format allows superficial browsing, the combination of detailed photographic presentations of material goods with the commentaries and statistics invites careful reading and cross-cultural comparison. Readers should find the comparison worth making. Strongly recommended for all libraries. [A CD-ROM of the same title is available; for more information, see p. 21.-Ed.]-James D. Haug, East Carolina Univ. Lib., Greenville, N.C.\ \ \ \ \ School Library JournalYA-A fascinating look at the material possessions of families throughout the world. These people have been determined ``average'' for their countries and have agreed to have photographers move the contents of their houses outside in order to create visible representations of their relative standards of living. The dirt house and few possessions of Mali residents contrast with the 4 cars, 45-foot long sofa, and 12+ oriental carpets lined up outside the luxury home of a family from Kuwait. Each chapter includes the original spread of possessions, statistics about each family and country, as well as further pictures of daily life and some observations by the photographer. Interspersed among the chapters, which are divided by region, are pictorial representations of such interesting comparisons as televisions, meals, and toilets. Almost all of the pictures are in full color. Menzel hoped this would be ``a unique tool for grasping cross-cultural realities.'' It is that and much more.-Susan H. Woodcock, King's Park Library, Burke, VA\ \ \ BooknewsA fascinating project--sponsored by a number of international organizations--resulting in this richly intriguing book (it will get well-deserved promotion and distribution via all sorts of media). Sixteen photographers traveled to 30 nations to live for a week with families that are "statistically average" for that nation. At the end of each visit, photographer and subjects collaborated on a portrait of the family, outside of its home, surrounded by all of its material possessions--a few jars and jugs for some, an abundance of electronic gadgetry for others. The 360 color photos are accompanied by information about the standard of living in each country, notes by the photographers about their experiences, and profiles of family members and their lives. Annotation c. Book News, Inc., Portland, OR (booknews.com)\ \
