Music in East Africa: Experiencing Music, Expressing Culture

Paperback
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Author: Gregory Barz

ISBN-10: 0195141520

ISBN-13: 9780195141528

Category: East African History

Music in East Africa is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering...

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Music in East Africa is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Music in East Africa introduces readers to the various ways in which historical music traditions and present-day musical performances either collide, fuse, or remain mutually exclusive in contemporary East Africa. Through descriptions of performances and case studies that detail the lives of individual musicians, Gregory Barz shows how people in Uganda, Kenya, and Tanzania create, dance to, and interact with traditional East African music. Focusing on specific contexts in which music is integrated into the everyday lives of individuals and communities, Music in East Africa considers the significance of music for people as they negotiate the world around them. It looks at the defining principle of musical performance in East Africa—how drumming (and the playing of other musical instruments), singing, dancing, and drama are deeply connected to traditional cultures. The book highlights the importance of individual musicians as specialized members of communities and describes the role of musical performances in such social systems as popular entertainment and religious rituals. It also shows how traditional East African music and performance has responded to modernization, colonization, commercialism, and nationalism. Featuring vivid illustrations and eyewitness accounts of performances, Music in East Africa incorporates numerous activities that encourage readers to engage with the music. The book is packaged with a 70-minute CD containing examples of the music discussed in the text.

ForewordPrefaceCD Track List1Heating Up!1East Africa1Traditional Music Performance: The Example of Ngoma4What is "Music" in East Africa?5Greetings82Traditional Performances in Two Villages and a Town16Case Study #1: Nyanhugi Village, Sukumaland, Tanzania18Case Study #2: Bugwere Village, Busoga Region, Eastern Uganda25Case Study #3: Kisumu Town, Western Kenya33Gender and Traditional Music Performance in East Africa373Fostering Social Cohesion: Competition and Traditional Musical Performance40Introduction: Competition as Social Cohesion40Case Study #1: Bulabo in Sukumaland, Tanzania41Bufumu47Bagaalu and Bagiika Dance Societies47Samba48Changes and Adaptation in Bulabo49Case Study #2: Choir Competitions in Dar es Salaam52Vignette 1: The Initial Evangelical Encounter53Vignette 2: The Emergence of Tanzanian Voices55Vignette 3: A Postcolonial Moment564Individuals in East African Musical Worlds: Gideon Mdegella and Centurio Balikoowa59Vignette 1: Gideon Mdegella62Vignette 2: Centurio Balikoowa63Communities and Musical Specialists63Gideon Mdegella: "Mwalimu"64Centurio Balikoowa755Situating Traditional Music within Modernity89Vignette: Anthems and Identity90Case Study #1: Mu Kkubo Ery 'Omusaalaba101Case Study #2: "The Roots of Benga"108D. O. Misiani, the "King" of Benga111Conclusion: Popular versus Traditional - "Modernity Happened!"1146Cooling Down!118Traditional Music and the Interrelation of the Arts in East Africa118Glossary124Resources126Index137