Open House

Prologue\ \ You know before you know, of course. You are\ bending over the dryer, pulling out the still-warm\ sheets, and the knowledge walks up your backbone.\ You stare at the man you love and you are staring at nothing: he is gone\ before he is gone.\ \ The last time I tried to talk to David was a couple of weeks ago. We were\ in the family room--David in his leather recliner, me stretched out on the\ sofa. Travis was asleep--he'd had his eleventh birthday party that\ afternoon, the usual free-for-all, and had fallen into bed exhausted. The\ television was on, but neither of us was watching it--David was reading the\ newspaper and I was rehearsing.\ \ Finally, "David?" I said.\ \ He looked up.\ \ I said, "You know, you're right in saying we have some serious problems.\ But there are so many reasons to try to work things out." I hoped my voice\ was pleasant and light. I hoped my hair wasn't sticking up or that my nose\ didn't look too big and that I didn't look fat when I sat up a bit to adjust the\ pillow.\ \ "I was wondering," I said, "if you would be willing to go to see someone\ with me, just once. A marriage counselor. I really think--"\ \ " Samantha," he said.\ \ And I said, "Okay."\ \ He returned to the paper, and I returned to lying on the sofa, to falling\ down an elevator shaft. There were certain things I could not think about\ but kept thinking about anyway: how to tell the people I'd have to tell. How\ lonely the nights would be (that was a very long elevator shaft). How I\ believed so hard and for so long that we would be able to overcome\ everything, and now I would have to admit that we could not. How\ wrenching it is when the question you want to ask is "Why don't you want\ me?" but you cannot ask it and yet you do not ask--or talk about--anything\ else.\ \ "David?" I said again, but this time he did not look up.

\ From Barnes & NobleOpen House, Open Heart \ Elizabeth Berg has made a name for herself by writing provocative, engaging novels that strike a deep emotional chord with women everywhere. Her topics have ranged from parental estrangement and the death of a dear friend, to the unique bonds that can develop between sisters, or between a straight woman and a gay man. But at the heart of each is a common theme—a woman put to the test, stretched to the limits of her emotional boundaries by the vagaries of life. Berg's latest, Open House, follows this tried-and-true formula by telling the story of one woman's struggle to survive divorce.\ Throughout the 20 years of her marriage, Samantha Morrow has been content with her life, though she knows it isn't perfect. She has a nice home, a great son, and a husband she loves. But everything is turned upside down when her husband, David, tells her he wants out of their marriage. His rapid departure on the heels of this announcement leaves Sam horribly shocked, utterly confused, and oddly obsessed with Martha Stewart. Her initial reaction is to go on a spending spree, charging thousands of dollars worth of merchandise at Tiffany's to her husband's credit card. But when reality sets in and her husband cuts her off, she realizes that if she wants to keep the house she loves and make a home for herself and her son, she's going to have to generate some income.\ Her first solution to this dilemma is to find a couple of roommates. Between the finished portion of the basement and the extra bedroom upstairs, Sam figures she can take on two boarders and mitigate a large portion of the mortgage payment. She finds her first boarder quickly—the septuagenarian mother of an acquaintance—and is delighted. Lydia Fitch is quiet, clean, concerned, friendly, and more than eager to play grandmother to Sam's son, Travis. Which is just as well, since Sam's own mother doesn't quite fit the bill. In fact, Sam's mother has made a career out of dating since the death of her husband two decades ago and is now determined to fix Sam up as soon as possible—a plan with foreseeable disasters written all over it.\ Sam's life is further complicated when she starts looking for a job, for other than a gig singing in a band years ago, she's never been employed. But then King, the gentle giant of a man who helps Lydia move in, puts Sam in touch with the employment agency he works for. Suddenly Sam is off on a variety of short-term jobs, everything from making change at a Laundromat, to working as a carpenter's helper. When she gets the devastating news that Lydia has decided to marry her long-time beau and move out, Sam takes on a second boarder for the basement space: a sullen, depressed college student.\ Meanwhile, Sam's relationship with David has given way to an awkward tiptoeing détente as he starts building a new life for himself, replete with an upscale condo and a new girlfriend. Travis starts acting out and behaving as sullenly as the new boarder, and Sam finds herself eating all the time and gaining weight. Throughout it all, the one steady force in Sam's life is King, whose implacable calm and supportive friendship provides a stabilizing rudder in the storm-tossed sea of Sam's life. But Sam soon discovers there is much more to King than she realized and it will force her to rethink everything she has come to hold true.\ One of Berg's greatest strengths is her keen eye for the tiny details and intimate thoughts that allow her readers to relate to her characters on a deeply personal level. Watching Sam try to create a home that will nurture her soul by stocking it with the best of household items is funny but heartbreaking. Yet the journey she travels, a journey of self-discovery that shows home really is where the heart is, makes it all worthwhile. Berg's mix of pathos and humor (and in this case, a hilarious dead-on skewering of Martha Stewart) lends her prose a tantalizingly perverse flavor that is both entertaining and oddly satisfying.\ —Beth Amos\ Beth Amos is the author of several mainstream suspense thrillers, including Second Sight, Eyes of Night, and Cold White Fury.. She lives in Wisconsin, and is at work on her next novel.\ \ \ \ \ \ Publishers Weekly - Publisher's Weekly\ A middle-aged woman asks herself if there's life after divorce, then answers with a resounding yes in another of Berg's gentle tales of female self-discovery. When Samantha Morrow's husband, David, bails out after almost 20 years of marriage, Sam first goes into denial, then heads for Tiffany's and blows $12,000 on a Limoges tea set, a silver flatware service for 10 and a diamond bracelet--which she gives away to a poor black woman she passes on the drive home. The one-time hippie has not built much of a life for herself outside marriage. As a stay-at-home mother, she cares for her 11-year-old son, Travis, and her relationships are mostly of the love-hate variety: with her ex-husband, her mother, Martha Stewart (who actually calls her on the phone) and herself. Forced to take in lodgers to pay the mortgage on her large suburban house--eventually there are three: 78-year-old Lydia; Edward, a gay hairdresser; and an eccentric girl named Lavender Blue--Sam finds a new friend in King, an MIT graduate-turned-laborer who helps Lydia move in. Though he is overweight, inexperienced and underemployed, King looks surprisingly appealing when compared to the disastrous men Sam's mother sets her up with. As King cooks, babysits and helps Travis with his math homework, gradually he wins Samantha's trust. And when David suggests that he and Samantha get back together, Samantha finally knows who she is, who she has become and what she wants. Berg (Durable Goods) once again refreshes a well-worn plot with knowing domestic detail, an understanding of familiar--sometimes conflicting--female emotions and an infectious sentimental optimism. Neither deep nor complex, Sam charms the reader as she learns to stand up for herself. It is hard not to root for her. 11-city author tour with Laura Catherine Brown. (July) Copyright 2000 Cahners Business Information.\ \ \ Library JournalSamantha (Sam) Morrow doesn't understand why her husband, David, wants a divorce. Suddenly, she finds herself with a mortgage to pay, job skills that extend only to lead singer in a rock band, a preteen son, and overwhelming grief. So she maxes out David's credit cards and calls Martha Stewart for help. Sam listens to advice from her mother and her best friend but doesn't necessarily take it; for the first time in her life, she is thinking for herself. The boarders she decides to take in give her a new viewpoint; she gets a job as a temp and sees the world differently after each assignment. Finally, she meets a man named King, who is completely different from her ex-husband, and she slowly realizes how different men can be. By the time Sam has regained her equilibrium, she is a new person. When David decides he wants to "come home," she does not hesitate to tell him that it is too late. Berg writes with clarity, accurately capturing the aftermath of an adjustment of the heart. Her characters are true to life, with diverse and complex emotional reactions to real-life situations. Recommended for all collections. [Previewed in Prepub Alert, LJ 3/1/00.]--Joanna Burkhardt, Univ. of Rhode Island Coll. of Continuing Education Lib., Providence Copyright 2000 Cahners Business Information.\ \ \ \ \ Kirkus ReviewsThe eighth effortless novel from soft-pedaling specialist Berg (Until the Real Thing Comes Along, 1999, etc.) is an emotional slurpee/comedy featuring the newly separated mother of a near-teenaged son who finds the man of her dreams in spite of herself. What's a woman to do after her husband of 20 years packs a bag and walks out? Take a page from Martha Stewart's book, apparently, by getting dressed to the nines, making an elegant breakfast, and then trying to make the kid go along with the charade. Unfortunately for Samantha Morrow, she isn't Martha Stewart, and her son Travis is unflinchingly frank. So Sam goes to Tiffany's and writes a $12,000 check for silver flatware instead, whereupon her husband, David, takes all the money out of their joint account, and she has to start renting out rooms. The first boarder to move in is the mother of her grocery store's cashier, a sweet, capable lady who comes complete with a devoted boyfriend—and the hulk named King who moved her in is a sweetie, too. So what if the woman snores and keeps Travis awake? He and Sam adjust, and everything would be fine if she didn't keep hoping David would come back. But he has the good life and a girlfriend, while she's started temping (on King's recommendation) and dating (at her mother's insistence), the latter with disastrous results. The little old lady marries her boyfriend, another renter proves clinically depressed, and Sam has trouble adjusting to the working life. Even a distress call to Martha Stewart's 800 number doesn't help. Then, when she least expects it, love is in the air. Skillfully crafted, with a fluidity and snap that will delight Berg's fans but, when all is said and done, adistressinglyfamiliar story.\ \