Our Lady of the Assassins
"A point in case is his Our Lady of the Assassins, based on the autobiographical novel of one of Colombia's best writers, Fernando Vallejo, whose work has yet to be translated into English and published in the United States. One of the most important new Latin American writers, Vallejo is famous in Colombia and Mexico, of course, and in France as well (where his writing has been compared to the best of Jean Genet's), but is unknown in America.\ "Schroeder's [film] Our Lady of the Assassins...
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Tie-in with the eponymous new film by Barbet Schroeder.Publishers WeeklyThis slim, cynical novel by a well-regarded Colombian writer is an unsparing exploration of Medell!n, Colombia's second largest city and the infamous stronghold and resting place of drug lord Pablo Escobar. The narrator is a "grammarian," who has recently returned to his hometown after many years abroad and discovers it has become a living nightmare, where music blares constantly, funerals are less important than soccer matches and a wayward glance is likely to get you killed. In a virtually unbroken dramatic monologue, the narrator recounts a love affair he once had with Alexis, a teenage hitman who carries out revenge killings for rival drug gangs. Post Escobar, the hitmen are disorganized and undisciplined, and they wreak havoc on the city, killing indiscriminately. Inevitably, Alexis too must die. But before he succumbs, he slays dozens of random people who cross his path including police officers, young children, pregnant women, taxi drivers. Vallejo is a vivid writer, and one with a talent for social commentary. He is keen to portray the hypocrisy of religion in a country where killers wear crucifixes, bless their bullets and pray not to miss, but his litany of atrocities, at first hypnotic, quickly becomes monotonous. Everyone in the story is so obviously doomed that by the time the grammarian takes up with Alexis's killer, it is impossible to work up much interest in their foreordained fates. Which may be Vallejo's point after all. (Aug.) Forecast: Publication will coincide with the release of the film version by Barbet Schroeder of this novel. That, plus the recent release of Mark Bowden's nonfiction title Killing Pablo, will draw curiosity seekers. Copyright 1999 CahnersBusiness Information.
\ Publishers WeeklyThis slim, cynical novel by a well-regarded Colombian writer is an unsparing exploration of Medell!n, Colombia's second largest city and the infamous stronghold and resting place of drug lord Pablo Escobar. The narrator is a "grammarian," who has recently returned to his hometown after many years abroad and discovers it has become a living nightmare, where music blares constantly, funerals are less important than soccer matches and a wayward glance is likely to get you killed. In a virtually unbroken dramatic monologue, the narrator recounts a love affair he once had with Alexis, a teenage hitman who carries out revenge killings for rival drug gangs. Post Escobar, the hitmen are disorganized and undisciplined, and they wreak havoc on the city, killing indiscriminately. Inevitably, Alexis too must die. But before he succumbs, he slays dozens of random people who cross his path including police officers, young children, pregnant women, taxi drivers. Vallejo is a vivid writer, and one with a talent for social commentary. He is keen to portray the hypocrisy of religion in a country where killers wear crucifixes, bless their bullets and pray not to miss, but his litany of atrocities, at first hypnotic, quickly becomes monotonous. Everyone in the story is so obviously doomed that by the time the grammarian takes up with Alexis's killer, it is impossible to work up much interest in their foreordained fates. Which may be Vallejo's point after all. (Aug.) Forecast: Publication will coincide with the release of the film version by Barbet Schroeder of this novel. That, plus the recent release of Mark Bowden's nonfiction title Killing Pablo, will draw curiosity seekers. Copyright 1999 CahnersBusiness Information.\ \
