"Who Set You Flowin'?" : The African-American Migration Narrative

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Author: Farah Jasmine Griffin

ISBN-10: 0195088972

ISBN-13: 9780195088977

Category: American & Canadian Literature

Twentieth-century America has witnessed the most widespread and sustained movement of African-Americans from the South to urban centers in the North. Griffin looks at this migration across a wide range of genres--the literary texts of Richard Wright and Dorothy West, the paintings of Jacob Lawrence, and the music of Billie Holiday and Arrested Development, as well as photography and correspondence. She identifies the Migration Narrative as a major theme in African-American cultural...

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Twentieth-century America has witnessed the most widespread and sustained movement of African-Americans from the South to urban centers in the North. Who Set You Flowin'? examines the impact of this dislocation and urbanization, identifying the resulting Migration Narratives as a major genre in African-American cultural production. Griffin takes an interdisciplinary approach with readings of several literary texts, migrant correspondence, painting, photography, rap music, blues, and rhythm and blues. From these various sources Griffin isolates the tropes of Ancestor, Stranger, and Safe Space, which, though common to all Migration Narratives, vary in their portrayal. She argues that the emergence of a dominant portrayal of these tropes is the product of the historical and political moment, often challenged by alternative portrayals in other texts or artistic forms, as well as intra-textually. Richard Wright's bleak, yet cosmopolitan portraits were countered by Dorothy West's longing for Black Southern communities. Ralph Ellison, while continuing Wright's vision, reexamined the significance of Black Southern culture. Griffin concludes with Toni Morrison embracing the South "as a site of African-American history and culture," "a place to be redeemed."Charles Scruggs...it is a splendid achievement. -- African American Review

Introduction31"Boll Weevil in the Cotton/Devil in the White Man": Reasons for Leaving the South132The South in the City: The Initial Confrontation with the Urban Landscape483Safe Spaces and Other Places: Navigating the Urban Landscape1004To Where from Here? The Final Vision of the Migration Narrative1425New Directions for the Migration Narrative: Thoughts on Jazz184Notes199Bibliography219Index227

\ Charles Scruggs...it is a splendid achievement. -- African American Review\ \