Rebecca Warren's first monograph is chronological review of her career to date. Showing both key works and installation shots, (including the Turner Prize, Serpentine Gallery, the 54th Venice Biennale and numerous interntional solo exhibitions) her work is further contextualised with an essay by Bice Curiger, editor of Parkett. Warren's sculptures in clay, bronze and steel, ebb from figuration to abstraction, ranging from the amorphous to more clearly recognizable forms. Always evident in...
Edited by Beatrix Ruf. Essays by Carl Freedman and Gregorio Maghani.