In the 1930s and 1940s, while the battles for modern art and modern society were being fought in Paris and Spain, it seemed to some a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea shops.\ Alexandra Harris tells a different story: eclectically, passionately,\ wittily, urgently, English artists were exploring what it meant to be alive at that moment and in England. They showed that “the modern”\ need not be at war with the past:...
A groundbreaking reassessment of English cultural life in the thirties and forties.