Rosemary's Baby
In 1967, when Rosemary's Baby was first published, Ira Levin's masterpiece gave horror an innocent new face. It startled critics, stunned readers with its unique and deceptively calm voice, and caused a worldwide sensation. It found fear where we never thought to look before, and dared to bring it into the sunlight. To this day, Rosemary's Baby is as disquieting as shattering glass in an empty basement, and as unsettling as the cry of a newborn coming from behind a newly plastered wall.
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A masterpiece of spellbinding suspense, where evil wears the most innocent face of all...Publishers WeeklyFarrow's soothing reading of Ira Levin's classic returns her to the project that made her a star in Roman Polanski's eerily sedate thriller. Rosemary and Guy Woodhouse move into an ancient Manhattan apartment building and are immediately befriended by a pushy older couple, Minnie and Roman Castavet. When Rosemary becomes pregnant, she begins to suspect that the people in her building are satanists and that she may be carrying a demon's baby. What makes Levin's tale so haunting is how the horror is kept inconspicuous so tensions mount as ordinary events turn disturbing. Caedmon's packaging is outstanding, with inner sleeves listing track lengths and the first few words spoken on each track, making it easier to navigate. Farrow is an ideal choice as a reader for her history as well as her expressive and controlled reading. She doesn't attempt different voices for each character, but she does adapt a flat, nasal tone for Minnie (rather than imitate Ruth Gordon from the film). Subpar sound mars this classy recording: the volume is low and Farrow's voice sounds like it was recorded in a large, hollow space. Levin's thriller was previously recorded by Eileen Heckert in a 1986 three-hour abridgment from Random House Audio. (Nov.) Copyright 2005 Reed Business Information.
\ From Barnes & NobleIra Levin's Rosemary's Baby has been reissued, and it reads even better now than it did when it first appeared. While the trappings are horror, the structure and tone of the story are those of a great middle-class crime story set in the turbulent '60s. A masterpiece. \ —Ed Gorman\ \ \ \ \ \ Publishers WeeklyFarrow's soothing reading of Ira Levin's classic returns her to the project that made her a star in Roman Polanski's eerily sedate thriller. Rosemary and Guy Woodhouse move into an ancient Manhattan apartment building and are immediately befriended by a pushy older couple, Minnie and Roman Castavet. When Rosemary becomes pregnant, she begins to suspect that the people in her building are satanists and that she may be carrying a demon's baby. What makes Levin's tale so haunting is how the horror is kept inconspicuous so tensions mount as ordinary events turn disturbing. Caedmon's packaging is outstanding, with inner sleeves listing track lengths and the first few words spoken on each track, making it easier to navigate. Farrow is an ideal choice as a reader for her history as well as her expressive and controlled reading. She doesn't attempt different voices for each character, but she does adapt a flat, nasal tone for Minnie (rather than imitate Ruth Gordon from the film). Subpar sound mars this classy recording: the volume is low and Farrow's voice sounds like it was recorded in a large, hollow space. Levin's thriller was previously recorded by Eileen Heckert in a 1986 three-hour abridgment from Random House Audio. (Nov.) Copyright 2005 Reed Business Information.\ \ \ The New Yorker“A succession of solid and quite legitimate surprises. The suspense is admirably sustained.”\ \ \ \ \ The New York Times“Suspense is beautifully intertwined with everyday incidents; the delicate line between belief and disbelief is faultlessly drawn.”\ \ \ \ \ Truman Capote“A darkly brilliant tale of modern devilry that induces the reader to believe the unbelievable. I believed it and was altogether enthralled.”\ \
