Skeleton Woman
A great Tidal Wave sweeps down on a small Aleutian village, carrying a young girl named Annuk to the bottom of the sea. Her bones lie undisturbed on the ocean floor until the day a fisherman hooks her on his line and pulls her out of the water. At first terrified by the sight of a skeleton, the fisherman slowly comes to pity Annuk as he imagines her lonely existence beneath the waves.\ \ Years after being drowned by a tsunami, Annuk is rescued from her watery grave by...
Search in google:
A great Tidal Wave sweeps down on a small Aleutian village, carrying a young girl named Annuk to the bottom of the sea. Her bones lie undisturbed on the ocean floor until the day a fisherman hooks her on his line and pulls her out of the water. At first terrified by the sight of a skeleton, the fisherman slowly comes to pity Annuk as he imagines her lonely existence beneath the waves.School Library JournalK-Gr 3-Caught in a tsunami, an Inuit girl is ``taken by the sea.'' Her village mourns, then literally moves on, abandoning the inlet. Years later, a solitary fisherman snags her skeleton and, terrified, drags it, caught on his line, back to his ice house. Calming down, he begins to pity the unknown victim. He sets the bones in order, wraps them in fur, and sheds a tear for the dead. As he sleeps, Annuk wakes: she takes on flesh, and responds to the rhythm of his beating heart. He opens his eyes to see a beautiful woman before him. Annuk remains with him, and the final spread shows her with her children as he returns from sea. Yoshi's watercolors, realistically detailed and vibrant despite the limited environmental color, convey the flavor of Inuit life. Kayaks and ice floes, furs and sleds, masks, and a few utilitarian but elegantly simple artifacts represent Aleutian life. Both the subject and its setting make this a rather chilling story, yet the happy ending, bright as the endpapers' Northern lights, promises a magical recovery from loss.-Patricia (Dooley) Lothrop Green, St. George's School, Newport, RI
\ School Library JournalK-Gr 3-Caught in a tsunami, an Inuit girl is ``taken by the sea.'' Her village mourns, then literally moves on, abandoning the inlet. Years later, a solitary fisherman snags her skeleton and, terrified, drags it, caught on his line, back to his ice house. Calming down, he begins to pity the unknown victim. He sets the bones in order, wraps them in fur, and sheds a tear for the dead. As he sleeps, Annuk wakes: she takes on flesh, and responds to the rhythm of his beating heart. He opens his eyes to see a beautiful woman before him. Annuk remains with him, and the final spread shows her with her children as he returns from sea. Yoshi's watercolors, realistically detailed and vibrant despite the limited environmental color, convey the flavor of Inuit life. Kayaks and ice floes, furs and sleds, masks, and a few utilitarian but elegantly simple artifacts represent Aleutian life. Both the subject and its setting make this a rather chilling story, yet the happy ending, bright as the endpapers' Northern lights, promises a magical recovery from loss.-Patricia (Dooley) Lothrop Green, St. George's School, Newport, RI\ \
