Sleeping Dogs
He came to England to rest. He calls himself Michael Shaeffer, says he's a retired American businessman. He goes to the races, dates a kinky aristocrat, and sleeps with dozens of weapons. Ten years ago it was different. Then, he was the Butcher's Boy, the highly skilled mob hit man who pulled a slaughter job on some double-crossing clients and started a mob war. Ever since, there's been a price on his head.\ Now, after a decade, they've found him. The Butcher's Boy escapes back to the States...
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In this sequel to the Edgar Award-winning "The Butcher's Boy," Perry's highly skilled mob hit man returns to the United States with more reasons to kill—until the odds turn terrifyingly against him.Publishers WeeklyMuch of the action in Perry's disappointing follow-up to The Butcher's Boy remains jumpy and disjointed as former hitman Michael Schaeffer, aka Charles Frederick Ackerman, William Wolf or Butcher's Boy, is brought out of hiding in England. Ten years have passed since Schaeffer foiled the attempt of mob employer Carlo Balacontano to have him killed in lieu of payment and then framed the Mafia boss for a particularly grisly murder. As this story opens, Schaeffer avoids an assassination attempt at the Brighton racetrack and realizes his cover has been blown. He returns to New York to find out who ordered the hit and how many bad guys may still be after him. Despite the lurid fascination of the characters' pasts, the plot seems more to congeal than thicken as Schaeffer tries to dispose of or evade all who might be on his trail, including Justice Department lawyer Elizabeth Waring, so that he can retire again to the English countryside. With heroes and villains so easily interchangeable, readers may wonder who they should root for, and why. 50,000 first printing. (Apr. )
\ Publishers Weekly - Publisher's Weekly\ Much of the action in Perry's disappointing follow-up to The Butcher's Boy remains jumpy and disjointed as former hitman Michael Schaeffer, aka Charles Frederick Ackerman, William Wolf or Butcher's Boy, is brought out of hiding in England. Ten years have passed since Schaeffer foiled the attempt of mob employer Carlo Balacontano to have him killed in lieu of payment and then framed the Mafia boss for a particularly grisly murder. As this story opens, Schaeffer avoids an assassination attempt at the Brighton racetrack and realizes his cover has been blown. He returns to New York to find out who ordered the hit and how many bad guys may still be after him. Despite the lurid fascination of the characters' pasts, the plot seems more to congeal than thicken as Schaeffer tries to dispose of or evade all who might be on his trail, including Justice Department lawyer Elizabeth Waring, so that he can retire again to the English countryside. With heroes and villains so easily interchangeable, readers may wonder who they should root for, and why. 50,000 first printing. (Apr. )\ \ \ \ \ Library JournalPerry is the author of four previous novels: Island ( LJ 1/88), Big Fish ( LJ 3/15/85), The Butcher's Boy ( LJ 8/82), and Metzger's Dog ( LJ 9/15/83). His new work brings Charles Ackerman--a.k.a., the Butcher's Boy, a killing-machine-for-hire--out of retirement in England and back to the United States to silence those people he mistakenly thinks have discovered his whereabouts. The story follows Ackerman as he travels coast to coast slaughtering one crime family's head honchos. Perry's book is well written, moves rapidly, and thankfully keeps the gore minimal. But reading it is an uneasy experience--a vicious hitman is not attractive as a main character. Buy where the author's earlier works are popular. Previewed in Prepub Alert, LJ 12/91.-- A.J. Wright, Univ. of Alabama, Birmingham\ \ \ From the Publisher"Thomas Perry is, quite simply, brilliant. And as each book comes out he becomes more so." —-Robert B. Parker\ \
