The Black Tower
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Vidocq! Master of disguise and chief of a newly created plainclothes police force, Vidocq is a man whose name sends terror rippling through the Parisian underworld of 1818—and the inconsequential life of Hector Carpentier is violently shaken when Vidocq storms into it. A former medical student living in his mother's Latin Quarter boardinghouse, Hector finds himself dragged into a dangerous mystery surrounding the fate of the dauphin, the ten-year-old son of King Louis XVI and Marie-Antoinette presumed to have suffered a cruel death years earlier in Paris's dreaded Temple. But the truth of what happened may be even more shocking—and it will fall to an aimless young man and the most feared detective in Paris to see justice done for a frightened little boy in a black tower . . . no matter what the cost.The Barnes & Noble ReviewWriters of historical fiction are often faced with a problem: if they include real-life people, how do they ensure that their make-believe world isn't dwarfed by truth? The question loomed large as I began reading The Black Tower, Louis Bayard's third foray into historical fiction and fifth novel overall. He had already pulled off the conceit of recasting Timothy Cratchit from Charles Dickens's A Christmas Carol as a Victorian-era sleuth in Mr. Timothy (2003), and succeeded in depicting Edgar Allan Poe as a young, petulant West Point attendee in The Pale Blue Eye (2006), justly nominated for Poe's namesake award. So learning that The Black Tower revolves in large part around the exploits of Eugène François Vidocq (1757-1856) increased my already high expectations, not to mention commensurate worries.
