The Brothers K
A NEW YORK TIMES NOTABLE BOOK\ \ Once in a great while a writer comes along who can truly capture the drama and passion of the life of a family. David James Duncan, author of the novel The River Why and the collection River Teeth, is just such a writer. And in The Brothers K he tells a story both striking and in its originality and poignant in its universality.\ \ This touching, uplifting novel spans decades of loyalty, anger, regret, and love in the lives of the Chance...
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Finally in trade paperback, complementing Bantam's new release of River Teeth and our consistently bestselling edition of The River Why, here is The Brothers K, a lyrical and lovely novel of family.Publishers WeeklyDuncan took almost 10 years to follow up the publication of his much-praised first novel, The River Why, but this massive second effort is well worth the wait. It is a stunning work: a complex tapestry of family tensions, baseball, politics and religion, by turns hilariously funny and agonizingly sad. Highly inventive formally, the novel is mainly narrated by Kincaid Chance, the youngest son in a family of four boys and identical twin girls, the children of Hugh Chance, a discouraged minor-league ballplayer whose once-promising career was curtained by an industrial accident, and his wife Laura, an increasingly fanatical Seventh-Day Adventist. The plot traces the working-out of the family's fate from the beginning of the Eisenhower years through the traumas of Vietnam. One son becomes an atheist and draft resister; another immerses himself in Eastern religions, while the third, the most genuinely Christian of the children, ends up in Southeast Asia. In spite of the author's obvious affection for the sport, this is not a baseball novel; it is, as Kincaid says, ``the story of an eight-way tangle of human beings, only one-eighth of which was a pro ballpayer.'' The book portrays the extraordinary differences that can exist among siblings--much like the Dostoyevski novel to which The Brothers K alludes in more than just title--and how family members can redeem one another in the face of adversity. Long and incident-filled, the narrative appears rather ramshackle in structure until the final pages, when Duncan brings together all of the themes and plot elements in a series of moving climaxes. The book ends with a quiet grace note--a reprise of its first images--to satisfyingly close the narrative circle. Major ad/promo; author tour. (June)
\ Publishers Weekly\ - Publisher's Weekly\ Duncan took almost 10 years to follow up the publication of his much-praised first novel, The River Why, but this massive second effort is well worth the wait. It is a stunning work: a complex tapestry of family tensions, baseball, politics and religion, by turns hilariously funny and agonizingly sad. Highly inventive formally, the novel is mainly narrated by Kincaid Chance, the youngest son in a family of four boys and identical twin girls, the children of Hugh Chance, a discouraged minor-league ballplayer whose once-promising career was curtained by an industrial accident, and his wife Laura, an increasingly fanatical Seventh-Day Adventist. The plot traces the working-out of the family's fate from the beginning of the Eisenhower years through the traumas of Vietnam. One son becomes an atheist and draft resister; another immerses himself in Eastern religions, while the third, the most genuinely Christian of the children, ends up in Southeast Asia. In spite of the author's obvious affection for the sport, this is not a baseball novel; it is, as Kincaid says, ``the story of an eight-way tangle of human beings, only one-eighth of which was a pro ballpayer.'' The book portrays the extraordinary differences that can exist among siblings--much like the Dostoyevski novel to which The Brothers K alludes in more than just title--and how family members can redeem one another in the face of adversity. Long and incident-filled, the narrative appears rather ramshackle in structure until the final pages, when Duncan brings together all of the themes and plot elements in a series of moving climaxes. The book ends with a quiet grace note--a reprise of its first images--to satisfyingly close the narrative circle. Major ad/promo; author tour. (June)\ \ \ \ \ Library JournalIf John Irving reimagined The Brothers Karamazov as one of his kooky families and Thomas Pynchon did a rewrite, the result might be something close to this long-awaited second novel by the author of The River Why ( LJ 2/15/83). The brothers are the Chance boys, sons of Papa Toe, a minor league pitcher whose crushed thumb is replaced by a transplanted toe, and his devout Seventh Day Adventist wife. Like Dostoevsky's Karamazovs, the Chances speculate on the nature of God, delve into the nuances of what constitutes moral behavior, experience evil, suffer from criminal acts, and, finally, determine that God is love and love redeems. But these are American boys, and although their lives contain some terrible moments, this is essentially a comic novel. Among its many merits, it reflects far better than most fiction the wide variety of Sixties experiences, giving student radical and Vietnam grunt alike their sympathetic due. Baseball provides the central metaphor for this huge hypnotic novel, but although in that sport a ``K'' indicates a strikeout, here it scores a home run.-- Charles Michaud, Turner Free Lib., Randolph, Mass.\ \
