The Christmas Train

Mass Market Paperback
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Author: David Baldacci

ISBN-10: 0446615757

ISBN-13: 9780446615754

Category: Holidays - Fiction

This edition of the "New York Times" bestseller—a heartwarming tale of humor, romance, and mystery by the bestselling author of "Split Second"—includes the brand-new short story, "Waiting for Santa." "Baldacci whips up a pleasant holiday confection."—"People."\ \ \ Tom Langdon, a weary and cash-strapped journalist, is banned from flying when a particularly thorough airport security search causes him to lose his cool. Now, he must take the train if he has any chance of...

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In the tradition of John Grisham's Skipping Christmas, this holiday tale offers humor, romance, mystery, and a reminder of what Christmas is all about-by seven-time New York Times, bestselling author David Baldacci.Publishers WeeklyFormer globe-trotting journalist Tom Langdon, 41, boards the Capitol Limited to kill many birds with one stone: he's out to fulfill his old man's death wish, find himself, write a fluff piece for a woman's magazine and visit his voice-over actress girlfriend in L.A. (He's also on the train since he's been banned from flying in the U.S. for two years after a recent meltdown at LaGuardia.) The trip turns out to be a journey of the soul-though an innocuous and predictable one. Surprised to meet famous movie director Max Powers in transit, Tom's invited to team up on his idol's next film, but shocked when he learns the screenwriter is none other than his long-lost love, Eleanor Carter. Trading suspense for sentimentality, Baldacci (Last Man Standing; Total Control; etc.), dedicates his latest to "everyone who loves trains and holidays," and the polished unabridged audio production, perfect for a long family car trip, employs plenty of musical accompaniment and evocative sound effects, from bells and whistles to conductors' calls, to suit this intended tone. Baldacci's impressionistic prose and detailed descriptions of rail travel are nice, but what's more notable is the silky smooth narration of television producer, director and actor Matheson. His energetic, distinctive renditions of the author's quirky and humorous cast of characters-including a priest, a lawyer, a personal assistant, a tarot card reader and a singer-make up for Baldacci's silly plot twists of reunited lovers, a thief on board the train and the avalanche that has "everyone contemplating their demise." Simultaneous release with the Warner hardcover (Forecasts, Oct. 7). (Nov.) Copyright 2002 Cahners Business Information.

\ Publishers WeeklyFormer globe-trotting journalist Tom Langdon, 41, boards the Capitol Limited to kill many birds with one stone: he's out to fulfill his old man's death wish, find himself, write a fluff piece for a woman's magazine and visit his voice-over actress girlfriend in L.A. (He's also on the train since he's been banned from flying in the U.S. for two years after a recent meltdown at LaGuardia.) The trip turns out to be a journey of the soul-though an innocuous and predictable one. Surprised to meet famous movie director Max Powers in transit, Tom's invited to team up on his idol's next film, but shocked when he learns the screenwriter is none other than his long-lost love, Eleanor Carter. Trading suspense for sentimentality, Baldacci (Last Man Standing; Total Control; etc.), dedicates his latest to "everyone who loves trains and holidays," and the polished unabridged audio production, perfect for a long family car trip, employs plenty of musical accompaniment and evocative sound effects, from bells and whistles to conductors' calls, to suit this intended tone. Baldacci's impressionistic prose and detailed descriptions of rail travel are nice, but what's more notable is the silky smooth narration of television producer, director and actor Matheson. His energetic, distinctive renditions of the author's quirky and humorous cast of characters-including a priest, a lawyer, a personal assistant, a tarot card reader and a singer-make up for Baldacci's silly plot twists of reunited lovers, a thief on board the train and the avalanche that has "everyone contemplating their demise." Simultaneous release with the Warner hardcover (Forecasts, Oct. 7). (Nov.) Copyright 2002 Cahners Business Information.\ \ \ \ \ Kirkus ReviewsA long-haul potboiler from the indefatigable Baldacci (Wish You Well, 2000, etc.) introduces a hardcase reporter to America and wins him his true love. The decision to make an overnight train trip often begins with a good idea (scenery or nostalgia, say) that doesn't survive the rigors of the journey. Tom Langdon is an exception in that he takes Amtrak from Washington, D.C., to Los Angeles out of sheer necessity: The airlines have banned him from all commercial flights for assaulting an insolent metal-detector guard. That should give you a good insight into Tom's character right there-for the rest, all you need to know is that he's a divorced freelance journalist who is dating a Hollywood voiceover actress. Since Tom is due to spend Christmas in LA with his girlfriend, he decides to make a virtue of necessity by writing an article about train travel in the US, so he books a private compartment on the Capitol Limited and heads for Washington's Union Station one snowy December night. His fellow passengers are a mix of flesh: There's Agnes Joe (a large and overbearing former trapeze artist), Father Paul Kelly (a retired priest), Julie and Steve (an engaged couple who decide to get married on the train-literally), Gordon Merryweather (a sleazo lawyer who calls himself the "king of the class-action lawsuit), and a mysterious group from Hollywood who board secretly to avoid publicity. Tom wanders about the train, innocent and relatively carefree, until he discovers that the woman at the center of the Hollywood group is the famous screenwriter Eleanor Carter-his ex-wife! Even more amazing, Eleanor's director Max Powers finds out that Tom is a writer and convinces Eleanor to collaborate on aproject with him. It looks like Tom's career is taking off after all. But will he be able to work with Eleanor now that they're on a purely platonic level? Probably not-but who said they had to do it that way? Harmless, obvious, and about as full of surprises as a timetable.\ \