The Damnation Game
There are things worse than death. There are games so seductively evil, so wondrously vile, no gambler can resist. Amid the shadow-scarred rubble of World War II, Joseph Whitehead dared to challenge the dark champion of life’s ultimate game. Now a millionaire, locked in a terror-shrouded fortress of his own design, Joseph Whitehead has hell to pay. And no soul is safe from this ravaging fear, the resurrected fury, the unspeakable desire of...
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A reclusive millionaire makes a deal with the devil. Just another horror tale? Don't bet on it. It's from Clive Barker.Philadelphia Daily NewsFrom its brilliant opening to its shocking conclusion, [this] is a compelling work.
\ Philadelphia Daily NewsFrom its brilliant opening to its shocking conclusion, [this] is a compelling work.\ \ \ \ \ Publishers Weekly - Publisher's Weekly\ Barker has generated acclaim and controversy with his dozens of shorter works published in the six ``Books of Blood.'' His rather long first novel is often engrossing, often disturbing and depressing. Horror mavens who enjoy violence and harrowing imagery will find plenty of both here. But there is more to The Damnation Game than gore. This story of a supernaturally powerful man who can resurrect the dead probes the many varieties of corruption: of the flesh, of ideals, of civilization. The world Barker depicts is controlled by immensely powerful men motivated solely by self-interest. His charactersJoseph Whitehead, captain of industry; his defeated, addicted daugther, Carys; his increasingly frightened bodyguard Marty Strauss; the demonic, perhaps immortal Mamoulian; and Mamoulian's puppet, the disgusting ``Razor-Eater'' Breerare original and memorable. The story, loosely based on Shakespeare's Tempest, is goodnot exactly a pleasurable read in the usual sense of the word, but always interesting. (June 5)\ \ \ Library Journal``I have seen the future of the horror genre, and his name is Clive Barker,'' Stephen King has written. Fortunately, this first novel (Barker has published short story collections) more than bears the weight of King's praise. Barker is a better writer than King, and his characters are just as interesting. Set in modern Britain, the story thrusts a flawed ``innocent''parolee Marty Straussinto an epic conflict between wealthy Joseph Whitehead and Mamoulian the Cardplayer, a centuries-old creature with whom Whitehead had struck a bargain to obtain his wealth and power. Whitehead reneges, and the resulting struggle is played out primarily on his fortress-like estate. Barker's excellent writing makes the graphic, grotesque imagery endemic to current horror fiction very effective. Highly recommended anywhere horror fiction is popular. A.J. Wright, Anesthesiology Dept., Univ. of Alabama at Birmingham\ \
