The Fist of God
From the bestselling author of The Day of the Jackal, international master of intrigue Frederick Forsyth, comes a thriller that brilliantly blends fact with fiction for one of this summer's—or any season's—most explosive reads!\ From the behind-the-scenes decision-making of the Allies to the secret meetings of Saddam Hussein's war cabinet, from the brave American fliers running their dangerous missions over Iraq to the heroic young spy planted deep in the...
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From the bestselling author of The Day of the Jackal, international master of intrigue Frederick Forsyth, comes a thriller that brilliantly blends fact with fiction for one of this summer's--or any season's--most explosive reads!From the behind-the-scenes decision-making of the Allies to the secret meetings of Saddam Hussein's war cabinet, from the brave American fliers running their dangerous missions over Iraq to the heroic young spy planted deep in the heart of Baghdad, Forsyth's incomparable storytelling skill keeps the suspense at a breakneck pace. Somewhere in Baghdad is the mysterious "Jericho," the traitor who is willing--for a price--to reveal what is going on in the high councils of the Iraqi dictator. But Saddam's ultimate weapon has been kept secret even from his most trusted advisers, and the nightmare scenario that haunts General Schwarzkopf and his colleagues is suddenly imminent, unless somehow, the spy can locate that weapon--The Fist of God--in time.Peopled with vivid characters, brilliantly displaying Forsyth's incomparable, knowledge of intelligence operations and tradecraft, moving back and forthbetween Washington and London, Baghdad and Kuwait, desert vastnesses and city bazaars, this breathtaking novel is an utterly convincing story of what mayactually have happened behind the headlines.Publishers WeeklyA British agent discovers Saddam Hussein has a secret weapon in this latest thriller from the author of The Day of the Jackal. (Aug.)
The staff indulged him, that Helene was just a good friend, keeping him company while he was in Brussels and his wife was in Canada.\ He climbed out of the car, the collar of his belted trench coat turned up as ever, and hefted onto his shoulder the big black canvas bag that hardly ever left him. It weighed over fifteen kilograms and contained a mass of papers: scientific papers, projects, calculations, and data. The scientist distrusted safes and thought illogically that all the details of his latest projects were safer hanging from his shoulder.\ The last Monique saw of her employer, he was standing in front of the glass doors, his bag over one shoulder, the loaf under the other arm, fumbling for his keys. She watched him go through the doors and the self-locking plate glass swing closed behind him. Then she drove off.\ The scientist lived on the sixth floor of the eight-story building. Two elevators ran up the back wall of the building, encircled by the stairs, with a fire door on each landing. He took one of them and stepped out at the sixth floor. The dim, floor-level lights of the lobby came on automatically as he did so. Still jangling his keys, leaning against the weight of his bag, and clutching his loaf, he turned left and left again across the russet-brown carpet and tried to fit his key into the lock of his apartment door.\ The killer had been waiting on the other side of the elevator shaft, which jutted into the dimly lit lobby. He came quietly around the shaft holding his silenced 7.65-mm. Beretta automatic, which was wrapped in a plastic bag to prevent the ejected cartridges from spilling all over the carpet.\ Five shots, fired from less than a one-meter range into the back of the head and neck, were more than enough. The big, burly man slumped forward against his door and slithered to the carpet. The gunman did not bother to check; there was no need. He had done this before, practicing on prisoners, and he knew his work was done. He ran lightly down the six flights of stairs, out of the back of the building, across the tree-studded gardens, and into the waiting car. In an hour he was inside his country's embassy, in a day out of Belgium.
\ From the Publisher"Frederick Forsyth combines fact and fiction in The Fist of God...but [he] never forgets that he is writing a novel...Excitement without hysteria and plenty of credible action."\ —The New York Times Book Review\ "[An] incredible, imaginative mind...master of international intrigue."\ —Larry King\ \ \ \ \ \ Publishers Weekly\ - Publisher's Weekly\ A British agent discovers Saddam Hussein has a secret weapon in this latest thriller from the author of The Day of the Jackal. (Aug.)\ \ \ Library JournalIn yet another espionage thriller from the best-selling author of The Fourth Protocol (Viking, 1984), the good guys are out to prevent Saddam Hussein from using a most powerful weapon.\ \ \ \ \ Joe CollinsWhy was Saddam Hussein so confident in the face of U.S. and UN military might? Did he perhaps have a secret weapon to unleash on the armies defending Kuwait? Espionage-master Forsyth ("The Day of the Jackal") raises such questions in his intriguing new novel, in which Saddam (who appears throughout at meetings of his Cabinet) does not seem to mind if thousands of his people are killed in battle. He's banking on the American and British traditional abhorrence of casualties. British brothers Mike and Terry Martin are experts in spying, and since Mike can easily pass for an Arab, he goes undercover, first into Kuwait, and then, in a particularly bold move, into Baghdad itself. Terry handles the organization of an elaborate mission to find Saddam's secret weapon, dubbed the fist of God. The information about the weapon comes to them from Jericho, a highly connected source in Saddam's inner circle. Meanwhile, a dowdy Viennese bank secretary is wined and dined by an Israeli spy posing as an Arabic student in order to get at her boss' vital information and cash. As usual, Forsyth's research is impeccable; his characters, though thinly drawn (Mike Martin is something of a superman), are winning; his cameos of world leaders such as Bush, Thatcher, Schwarzkopf, Gorbachev, and Saddam himself help put the behind-the-scenes war in context; and Forsyth's ending, despite the obvious coalition victory, still offers a spectacular surprise.\ \
