The Likeness
The haunting follow up to the Edgar Award-winning debut In the Woods\ Tana French astonished critics and readers alike with her mesmerizing debut novel, In the Woods. Now both French and Detective Cassie Maddox return to unravel a case even more sinister and enigmatic than the first. Six months after the events of In the Woods, an urgent telephone call beckons Cassie to a grisly crime scene. The victim looks exactly like Cassie and carries ID identifying herself as Alexandra Madison, an alias...
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"Six months after the events of In the Woods, Detective Cassie Maddox is still recovering, Transferred out of Dublin's Murder squad at her own request, she vows never to return. That is, until her boyfriend, Detective Sam O'Neill, calls her one beautiful spring morning, urgently asking her to come to a murder scene in the small town of Glenskehy." "It isn't until Cassie sees the body that she understands Sam's insistence. The dead girl is Cassie's double, and she carries ID identifying her as Alexandra Madison, an alias Cassie herself used years ago when she worked undercover. The question becomes not only who killed this girl, but who was this girl." "Frank Mackey, Cassie's former undercover boss, sees the opportunity of a lifetime, Having played Lexie Madison once before, Cassie is in the perfect position to take her place. The police will tell the media and Lexie's four housemates that the stab wound wasn't fatal. And Cassie will go on living Lexie's life until the killer is lured out to finish off the job." "It's a brilliant idea, until Cassie finds herself more emotionally involved in Lexie's life than she anticipated. Sharing the charming ramshackle old Whitethorn House with Lexie's strange, tight-knit group of university friends, Cassie is slowly seduced by the victim's way of life, by the thought of working on a murder investigation again, and by the mystery of the victim herself." As Cassie nears the truth about what happened to Lexie Madison and who she really was, the lines between professional and personal, work and play, reality and fantasy become desperately tangled, and Cassie moves closer to losing herself forever.The Barnes & Noble ReviewTana French worked as an actress before she started writing, at age 33, and she inhabits her characters with such ease that one feels genuine regret that they aren't available to, say, grab a pint at the local pub while trading South Park quips and riffing on the kind of over-groomed women who never buy their round. Her debut novel, Into the Woods, was a police procedural about two cops earning their sea legs in the Dublin Murder Squad, but the relationship between Rob Ryan and his partner, Cassie Maddox, was so finely drawn that it could have just as well been simply about the difficulties of platonic friendships between men and women. And yet French deposited not one but two tantalizingly suspenseful mysteries at the core of the novel -- and then had the audacity to leave the most spectacular of the two unanswered at novel's end. What nerve it took, then, to begin The Likeness somewhere else entirely. While Rob narrated the first novel, the voice in this novel belongs solely to Cassie. She is lured back to undercover work when a body shows up that is her exact likeness. Her old boss, Frank, convinces her to impersonate the dead woman in her former life. Once there, however, Cassie becomes so charmed by her new life as a graduate student in literature that she nearly forgets her purpose is to find a killer. French meticulously builds suspense in the most natural, harrowing way -- her characters are so perfectly built that one feels capable of analyzing them and second-guessing them as one would do with friends. Cassie is so well articulated, in fact, that one can imagine a second mystery hovering like some phantom scrim that she is too close to see. If it's there, French is wise enough not to tip her hand; her books work most perfectly in the empty spaces between. --Amy Benfer
\ Kirkus ReviewsThe discovery of her murdered doppelganger leads a Dublin detective to insert herself into the victim's life. Cassandra Maddox, the Irish cop introduced in French's In the Woods (2007), gets an urgent call from her homicide-detective boyfriend Sam O'Neill. She is to drop everything, disguise herself and hustle to a murder scene that has clearly left Sam shaken. His distress is understandable. The corpse in the abandoned cottage outside the depressed suburban village of Glenskehy is a dead ringer for Cassie. Stranger still, the name on the victim's ID is Lexie Madison, the same name Cassie used during a long, dangerous, undercover operation. Before she was stabbed, Lexie was one of five residents, all Trinity University students, living in Whitethorn House, a mansion inherited by one of the students. Frank Mackey, Cassie's tough supervisor from her days in undercover, thinks the best bet for solving the Lexie murder case is to withhold news of the death from the public. This way, Cassie can pose as Lexie and perhaps get to the bottom of what happened. There are enough clues to Lexie's life in her phone camera that Cassie, against Sam's better judgment, takes the challenge. Several days later, armed and wired for sound, Cassie is dropped off at Whitethorn, where she is taken back into what proves to be a very tightly knit group. There is dark, brilliant Daniel, who owns the house, gay Justin, clever Abby and beautiful Rafe. Using the formidable acting skills that made her so successful in undercover work, Cassie seems able to convince the friends that she is Lexie. As she begins to reconstruct the events leading up to the murder, she finds herself sucked into the group, and her loyaltiesbegin to shift. Police procedures, psychological thrills and gothic romance beautifully woven into one stunning story.\ \ \ The Barnes & Noble ReviewTana French worked as an actress before she started writing, at age 33, and she inhabits her characters with such ease that one feels genuine regret that they aren't available to, say, grab a pint at the local pub while trading South Park quips and riffing on the kind of over-groomed women who never buy their round. Her debut novel, Into the Woods, was a police procedural about two cops earning their sea legs in the Dublin Murder Squad, but the relationship between Rob Ryan and his partner, Cassie Maddox, was so finely drawn that it could have just as well been simply about the difficulties of platonic friendships between men and women. And yet French deposited not one but two tantalizingly suspenseful mysteries at the core of the novel -- and then had the audacity to leave the most spectacular of the two unanswered at novel's end. What nerve it took, then, to begin The Likeness somewhere else entirely. While Rob narrated the first novel, the voice in this novel belongs solely to Cassie. She is lured back to undercover work when a body shows up that is her exact likeness. Her old boss, Frank, convinces her to impersonate the dead woman in her former life. Once there, however, Cassie becomes so charmed by her new life as a graduate student in literature that she nearly forgets her purpose is to find a killer. French meticulously builds suspense in the most natural, harrowing way -- her characters are so perfectly built that one feels capable of analyzing them and second-guessing them as one would do with friends. Cassie is so well articulated, in fact, that one can imagine a second mystery hovering like some phantom scrim that she is too close to see. If it's there, French is wise enough not to tip her hand; her books work most perfectly in the empty spaces between. --Amy Benfer\ \
