The Matisse Stories
These three stories celebrate the eye even as they reveal its unexpected proximity to the heart. For if each of A.S. Byatt's narratives is in some way inspired by a painting of Henri Matisse, each is also about the intimate connection between seeing and feeling—about the ways in which a glance we meant to be casual may suddenly call forth the deepest reserves of our being. Beautifully written, intensely observed, The Matisse Stories is fiction of spellbinding authority.\ "Full of delight and...
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These three stories celebrate the eye even as they reveal its unexpected proximity to the heart. For if each of A.S. Byatt's narratives is in some way inspired by a painting of Henri Matisse, each is also about the intimate connection between seeing and feeling--about the ways in which a glance we meant to be casual may suddenly call forth the deepest reserves of our being. Beautifully written, intensely observed, The Matisse Stories is fiction of spellbinding authority.Bruce BawerFor all their thematic elaboration, Ms. Byatt's stories in "The Matisse Stories" do not feel contrived or didactic. On the contrary, her characters are credible, their encounters authentically complex, their environments vividly delineated. Indeed, these stories are unusually painterly in their particulars of form, color and shadow....These stories are all about human beings: about how little we can know (or may care to know) about the people with whom we spend our lives, and how tragic the results of that ignorance (or indifference) can be. -- New York Times
\ Bruce BawerFor all their thematic elaboration, Ms. Byatt's stories in "The Matisse Stories" do not feel contrived or didactic. On the contrary, her characters are credible, their encounters authentically complex, their environments vividly delineated. Indeed, these stories are unusually painterly in their particulars of form, color and shadow....These stories are all about human beings: about how little we can know (or may care to know) about the people with whom we spend our lives, and how tragic the results of that ignorance (or indifference) can be. -- New York Times\ \ \ \ \ Publishers Weekly\ - Publisher's Weekly\ Three stories from Byatt, in each of which a woman's life is touched in some way by the paintings of Henri Matisse. (May)\ \ \ Library JournalA best seller in England, where it was published in 1993, this beautifully illustrated volume contains three stories-each a sort of "still life" inspired by a particular Matisse painting-of seemingly ordinary women: a middle-aged teacher forced to play psychiatrist to her self-centered hairdresser; a cleaning woman with a passion for knitting; and a college dean discussing a case of sexual harassment with the accused over lunch in a Chinese restaurant. Byatt (Possession, LJ 11/1/90), who has been in the news lately for her principled stand against huge advances for literary fiction, is a consummate prose stylist, possessed of both perfect pitch for dialog and a painterly eye for the telling details that flesh out these characters and reveal their essential humanness. Highly recommended for fiction collections. [Previewed in Prepub Alert, LJ 12/94.]-David Sowd, formerly with Stark Cty. District Lib., Canton, Ohio\ \
