The Pan-African Nation: Oil and the Spectacle of Culture in Nigeria
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When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the fascinating story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust.According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from many of its diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs, and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points toward a critique of the political economy of the sign in postcolonial Africa. Nations and Nationalism "For those interested in issues of culture and nationalism in Africa, this book will serve as one of the very best on the subject."—Toyin Falola, Nations and Nationalism— Toyin Falola
1Rebirth of a nation212Nigeria at large523Producing the people874War canoes and their magic1215A genealogy of the Durbar1676The mirror of cultural production2007The politics of illusion2238Death and the king's henchmen258
