The Rough-Face Girl
In an Algonquin village by the shores of Lake Ontario, many young women have tried to win the affections of the powerful Invisible Being who lives with his sister in a great wigwam near the forest. Then came the Rough-Face girl, scarred from working by the fire. Can she succeed where her beautiful, cruel sisters have failed? ?A strong, distinctive tale with art to match.? ?Kirkus Reviews, pointer review 'The drama of the haunting illustrations-and of Martin's respectful retelling-produce an...
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In an Algonquin village by the shores of Lake Ontario, many young women have tried to win the affections of the powerful Invisible Being who lives with his sister in a great wigwam near the forest. Then came the Rough-Face girl, scarred from working by the fire. Can she succeed where her beautiful, cruel sisters have failed? A strong, distinctive tale with art to match. ùKirkus Reviews, pointer review The drama of the haunting illustrationsùand of Martin s respectful retellingùproduce an affecting work. ùPublishers Weekly Rafe Martin lives in Rochester, NY. David Shannon lives in southern California.Publishers WeeklyIn this Algonquin Indian version of the Cinderella story, two domineering sisters set out to marry the ``rich, powerful, and supposedly handsome'' Invisible Being, first having to prove that they can see him. They cannot, but their mistreated younger sister the Rough-Face Girl--so called because the sparks from the fire have scarred her skin--can, for she sees his ``sweet yet awesome face'' all around her. He then appears to her, reveals her true hidden beauty and marries her. Shannon ( How Many Spots Does a Leopard Have? ) paints powerful, stylized figures and stirring landscapes, heightening their impact with varied use of mist, shadows and darkness. His meticulous research is evident in intricate details of native dress and lodging. In places, though, he struggles with the paradox of illustrating the invisible--an eagle, tree, cloud and rainbow form the face of the Invisible Being in one disappointingly banal image. For the most part, however, the drama of these haunting illustrations--and of Martin's ( Foolish Rabbit's Big Mistake ) respectful retelling--produce an affecting work. Ages 4-8. (Apr.)
\ Publishers Weekly\ - Publisher's Weekly\ In this Algonquin Indian version of the Cinderella story, two domineering sisters set out to marry the ``rich, powerful, and supposedly handsome'' Invisible Being, first having to prove that they can see him. They cannot, but their mistreated younger sister the Rough-Face Girl--so called because the sparks from the fire have scarred her skin--can, for she sees his ``sweet yet awesome face'' all around her. He then appears to her, reveals her true hidden beauty and marries her. Shannon ( How Many Spots Does a Leopard Have? ) paints powerful, stylized figures and stirring landscapes, heightening their impact with varied use of mist, shadows and darkness. His meticulous research is evident in intricate details of native dress and lodging. In places, though, he struggles with the paradox of illustrating the invisible--an eagle, tree, cloud and rainbow form the face of the Invisible Being in one disappointingly banal image. For the most part, however, the drama of these haunting illustrations--and of Martin's ( Foolish Rabbit's Big Mistake ) respectful retelling--produce an affecting work. Ages 4-8. (Apr.)\ \ \ \ \ Children's Literature\ - Debra Briatico\ In this Algonquin Indian tale, the Rough-Face Girl is scarred from years of tending the fire for her family. She is mistreated by her sisters, who go on a journey to find and marry the Invisible Being. The Rough-Face Girl desires to meet this mysterious power and decides to embark on her own search. When she meets up with the sister of the Invisible Being, she is put through a test. After she answers all of the questions correctly, she bathes in the lake. While in the water, her scars vanish and she ends up marrying the Invisible Being. Magnificent paintings and moving prose perfectly capture the beauty of the natural world in this Native American version of Cinderella.\ \ \ School Library JournalGr 3 Up-- Simply, in the words of an oral storyteller, Martin retells an Algonquin folktale. The youngest of three sisters is forced by the other two to sit by the fire and feed the flames, which results in the burning and scarring of her hair and skin. Desirous of marriage to an Invisible Being who lives in a huge wigwam across the village, these cruel siblings must prove to his sister that they have seen him, but they fail. The Rough-Face Girl, however, sees the Invisible Being everywhere and can answer his sister's questions correctly. Comparable in presentation to Caroline Cunningham's ``The Little Scarred One'' from The Talking Stone (Knopf, 1939; o.p.; reprinted in Castles and Dragons , Crowell, 1958; o.p.), but different in detail, this is a splendid read-aloud. It is the only single illustrated version available. Shannon's finely crafted full- and double-page acrylic paintings in the rich hues of the earth embody the full flavor of the story. His stunning cover portrait shows at one glance both the girl's beauty and her frightful scars. Another in the recent succession of Cinderella stories, The Rough-Face Girl begs for comparison with Princess Furball (Greenwillow, 1989), Tattercoats (Putnam, 1989), Mufaro's Beautiful Daughters (Lothrop, 1987), Moss Gown (Clarion, 1987), etc., and will provide both entertainment and a cultural lesson.-- Susan Scheps, Shaker Heights Public Library, OH\ \
