In this highly original book Norman Bryson applied 'structuralist' and 'post-structuralist' approaches to French Romantic Painting. He considers the work of David, Ingres and Delacroix as artists who found themselves within an artistic tradition that had nothing creative to offer them.
List of illustrations; Preface; Acknowledgements; 1. Tradition and its discontents; 2. David and the problem of inheritance; 3. Mortal sight: The Oath of the Horatii; 4. Visionary delays: Ingres in the atelier of David; 5. Tradition and desire; 6. Desire in the Bourbon library; Epilogue; Notes; Index.