A Diamond in the Desert: Behind the Scenes in Abu Dhabi, the World's Richest City
Tatchell takes us on a tour of the city with an outlook that’s part native, part critic, part wide-eyed traveler. The result is a truly original collage of perspectives and images, from a regal expatriate whose husband was one of the first Brits to settle in Abu Dhabi to young Emirati artists celebrating their newfound freedom of expression. A compelling piece of history told with an intimate narrative voice, A Diamond in the Desert is an eye-opening and often haunting perspective on just how...
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\ Publishers WeeklyA glittering emblem of global modernity carries a tinge of tribal clannishness and xenophobia in this revealing travelogue through the capital of the United Arab Emirates. Tatchell (The Poet of Baghdad), an English journalist who spent her youth in Abu Dhabi, compares the present city, with its skyscrapers, lavish malls, and Guggenheim branch, to the bedouin past it has all but obliterated. She finds that Abu Dhabi's 420,000 official citizens, with an average net worth of million in oil wealth, have traded their camels and tents for SUVs, condos, and glitzy, indolent jet-setting; surrounding them is a sea of exploited foreign guest workers, 80% of the population, who build and run the city while living in a stateless limbo. (There are secrets lurking behind the shopping and partying, she finds during a Kafkaesque quest to locate the national newspaper archive.) The author's teeming, sharply etched portrait introduces readers to tycoons, a wastrel playboy with a pet panther, a bored housewife trying to score bootleg liquor, avant-garde artists, nostalgic British expats, and a Lithuanian prostitute. Tatchell's keen powers of observation and personal connections enable her to convey the hidden reality of this mirage-like city. (Oct.)\ \ \ \ \ Library JournalBritish author Tatchell (The Poet of Baghdad: A True Story of Love and Defiance) shares her quest to Abu Dhabi to see how much it has changed since she lived there for a time as a child. The capital of the United Arab Emirates and the richest city in the world, Abu Dhabi is characterized by the fine line between modernity and traditional Muslim desert culture, as Tatchell soon finds as she travels around looking for the National Archives. She talks to a wide range of people from expatriates to Emirate nationals to businesspeople, family friends, and emerging artists, seeking their views on the changes that have taken place in the last 40 years. Tatchell finds both the good and the bad, but her criticism occasionally leaves the reader wondering if perhaps she expects too much of this city struggling to find its place in a global world. VERDICT Tatchell's journey toward making sense of the city's rapid transformation and her own family history will appeal to general readers and fans of self-discovery memoirs.—Melissa Aho, Univ. of Minnesota Lib., Minneapolis\ \ \ Kirkus ReviewsA British woman who spent much of her childhood in Abu Dhabi returns to examine the sociological and economic character of the United Arab Emirates and to unearth the truth about her brother's rushed departure from the UAE as a young adult.\ For most Westerners, the Middle East remains an overwhelmingly enigmatic culture about which finding authentic yet accessible insights can be challenging. Unlike recent portraits of Abu Dhabi, including Christopher M. Davidson's Abu Dhabi: Oil and Beyond (2009), Tatchell (The Poet ofBaghdad, 2008, etc.) excavates the region's gritty history from the perspective of a foreigner who goes back to study its glimmering present and ambitious future. Displaying an impressive breadth of research into the region's centuries-old tribal lineage, rocky political evolution and steep recent economic trajectory as a destination for opulent tourism and high culture, the author also takes readers on her largely futile quest for access to archives of past local media coverage.However, Tatchell's analysis of UAE society eclipses the deeper roots of the personal impetus driving her investigations. Consequently, the revelatory information at the end of the book about her brother's swift exit from the country years earlier proves anticlimactic. Key nuggets of enlightening dialogue by Emiraties are far more trenchant—i.e., "We are a tiny country. We have a tiny army. We can never be the biggest. That is why we will take power in another way."\ A commendable survey of Abu Dhabi's origins, intricacies, achievements and vision, which ultimately distracts from Tatchell's investigative path toward intimate family truths.\ \ \
