This first glimpse of Kowalski's creative work outside her distinctive, lauded filigree architecture is full of fantastic creatures of fable, drawn and modeled in clay. They posit a theory of a different kind of design, a poetic corrective to most architectural literature.
This first glimpse of Kowalski's creative work outside her distinctive, lauded filigree architecture is full of fantastic creatures of fable, drawn and modeled in clay. They posit a theory of a different kind of design, a poetic corrective to most architectural literature.