A striking number of hysterical or insane female characters populate Francophone women's writing. To discover why, Orlando reads novels from a variety of cultures, teasing out key elements of Francophone identity struggles.
PrefaceAcknowledgmentsIntroduction: Writing New H(er)stories for Francophone Women of Africa and the Caribbean11The Politics of Race and Patriarchy in Suzanne Lacascade's Claire-Solange, ame africaine372Home Is Where I Eat My Bread: Multiculturality and Becoming Multiple in Leila Hoauri's Zeida de nulle part513Self-Loathing, Self-Sacrifice: Michele Lacrosil's Cajou and Myriam Warner-Vieyria's Juletane734Out(in)side the Confinement of Cultures: Marie Chauvet's Amour, Colere, et Folie and Mariama Ba's Un Chant ecarlate975Rooms and Prisons, Sex and Sin: Places of Sequestration in Nina Bouraoui's La Voyeuse Interdite and Calixthe Beyala's Tu t'appelleras Tanga1256War, Revolution, and Family Matters: Yamina Mechakra's La Grotte eclatee and Hajer Djilani's Et Pourtant le ciel etait bleu1477Feminine Voices and H(er)stories: Simone Schwarz-Bart's Pluie et Vent sur Telumee Miracle and Aminata Sow Fall's Douceurs du bercail165Epilogue: Transgressing Boundaries, Reconstructing Stories181Bibliography187Index193